Gospel: Matthew 3: 13-17 Homily: The gospel today was just like the gospel last Sunday. But today we celebrate the baptism of Jesus Christ. We celebrate Happy Three Kings‚ but now we celebrate it as epiphany meaning knowing Jesus. In the gospel today John doesn’t want to baptize Jesus. But why? Our priest told us that John doesn’t want to baptize Jesus because Jesus doesn’t have sins‚ and he told us also Jesus wants to be baptized because he took our sins. Jesus wants us to be saved from our sins
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WAR HORSE: QUESTIONS & ANSWERS 2. Steven Spielberg is known for telling unashamedly emotional stories. What techniques does he use in this film to engage the audience’s feelings? What helps to separate something that is ‘sentimental’ from something that is genuinely moving? Steven Spielberg uses techniques such as suspense to engage the audience’s feelings. He first shows us how love has for his horse Joey‚ then how upset he was when he had to let him go. Spielberg engaged the audience because
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Is the “Synoptic Puzzle” really a problem? The Gospels of Matthew‚ Mark‚ and Luke have been identified as having strong similarities‚ are often grouped together and understood to be related to each in a special way; other than the way they are related to the Gospel of John. In effort to compare the Gospels similarities and differences a tool‚ synopsis is utilized (Mark Powell‚ 93). A synopsis (from the Greek syn‚ “with” + opsis‚ “seeing”) presents parallel texts from each of the Gospels side by side
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Matthew‚ Mark‚ Luke‚ and John Theocentric Studies-Part I February 2‚ 1996 The four Gospels are neither histories of the life of Christ nor biographies. They are portraits of the person and work of the long promised Messiah‚ Israel’s King and the world’s Savior. As portraits they present four different poses of one unique personality. Matthew by the Holy Spirit presents Christ as King‚ Mark as Servant‚ Luke as Man‚ and John as God. Although featuring Christ as King‚ Matthew sketches His role
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Pharisees and Sadducees sects of Judaism‚ Jesus used the following parable to shake the established doctrines of cleanliness of kosher foods and how to maintain a clean soul. This parable is shared by both the Gospel of Mark and the Gospel of Matthew: Matthew 15:12-21 Mark 7:17-23 From both versions of the parable‚ the word “defile” is the most prominent aspect of the parable. It is a strong word that means “to make dirty or foul” and Jesus uses this word in many ways. First‚ Jesus explains
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Jesus was tried by the Sanhedrin‚ sentenced by Pontius Pilate to be killed‚ and then crucified on the cross by the Romans. There are four writers of the gospels‚ Matthew‚ Mark‚ Luke‚ and John‚ who all wrote about the death of Jesus. Most Christians think of the gospels as one story‚ however each of the accounts is very different. Matthew‚ Mark‚ Luke‚ and John all lived in different times and in different locations‚ preaching to different audiences. These discrepancies in point of view are what cause
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Analysis In Stefan Collini’s opinion‚ "Dover Beach" is a difficult poem to analyze‚ and some of its passages and metaphors have become so well known that they are hard to see with "fresh eyes".[3] Arnold begins with a naturalistic and detailed nightscape of the beach at Dover in which auditory imagery plays a significant role ("Listen! you hear the grating roar").[4] The beach‚ however‚ is bare‚ with only a hint of humanity in a light that "gleams and is gone".[5] Reflecting the traditional notion
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Jackson 4/2/13 African American History Matthew Alexander Henson “It’ll work‚ if God‚ wind‚ leads‚ ice‚ snow‚ and all the hells of this damned frozen land are willing.” Matthew Henson was born on August 8‚ 1866‚ in a cabin near Nanjemoy‚ Charles County‚ Maryland. His parents Lemuel and Caroline were freeborn black sharecroppers. Matthew Henson mother died when he was two years old. His father remarried a widowed neighbor‚ Nellie. Seven years later Matthew Henson father dies and Nellie took after
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Poetry Précis for Mathew Arnold’s “Dover Beach” Matthew Arnold’s dramatic monologue titled “Dover Beach” (written in 1851/2 but publish in 1867) reveals the repetitive tragedy one can see when observing a natural wonder like the ocean that is a representation of all of life itself as well as the newfound conflict of his time that was religion versus science. He expresses his observations of life and sadness by using personification and imagery to depict a tranquil scene of the ocean only to have
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background music and suggests to the speaker some unspecified‚ unrelenting sadness. To this point (line 14)‚ the poem has been essentially straightforward description. In the second section‚ the speaker (presumably grounded in the classics as Matthew Arnold was) is reminded that the Greek tragic dramatist Sophocles had heard the same sound in the Aegean and it had suggested to him the turbid ebb and flow of human suffering‚ which had been the dominant subject of his plays. (The precise passage
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