"The statue of aphrodite" Essays and Research Papers

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    Classicism

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    CLASSICISM In the early 5th century Greek artists began consciously to attempt to render human and animal forms realistically. This entailed careful observation of the model as well as understanding the mechanics of anatomy - how a body adjusts to a pose which is not stiffly frontal but with the weight shifted to one side of the body‚ and how a body behaves in violent motion. The successors to the archaic kouroi‚ mainly athlete figures‚ are thus regularly shown ’at ease’‚ one leg relaxed‚ with a

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    these objects. Shadow bridges or blocks connect limbs to block‚ solid. Bilateral symmetry Suppresses subjectivity (individual creativity) G+H  Khafre‚ 2500 BCE Ka (spirit statue) Designed for the afterlife‚ for their tombs. Not meant to be seen by human eyes Granite – Diorite Khafre‚ c2520-2494 BCE.  Ka Spirit statue. rigidity is important since it has a use for after life‚ rather than look as much. Its supposed to be animated despite its immobility. Solidity and strength vs softness and tenderness

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    Greek Female Nude

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    The Unveiling of the Female Nude In Ancient Greek Art By Audrey Ancell ART 499 Ken Price 9 December 2014 Nudity is one of the most natural states for the human body. Humans are born often almost completely nude‚ without a great deal of hair or fur unlike many other mammals. Bathing and often mating rituals showcase the human body in the same light. Throughout history‚ however‚ views toward this natural state of the human body have changed with sophistication of society and culture. The biggest

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    The Sleeping Hermaphrodite

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    At first glance The Sleeping Hermaphrodite is a marble statue of a nude woman that appears to be sleeping on a bed. However‚ once one examines the statue more closely it becomes known that this woman has male genitals as well. This is shocking only because every other part of the statue looks feminine including her hair‚ hips‚ bottom and breasts. Other than the cloth wrapping around her legs and arms‚ the statue is nude and in a slightly odd position. While she wears a comfortable‚ blissful expression

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    Zeus and Attributes

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    the horses from sea-foam and is also the creator of earthquakes. He is the brother of Zeus and Hades. Depiction: He is depicted as a sturdy old man with a long beard and holding a trident in his hand. Attributes: He usually holds a trident but the statue of Poseidon at Goteborg‚ Sweden‚ depicts him as a youth holding a fish and a conch shell in his hands. Hera Description: Hera is the Goddess of childbirth and marriage. She is often said to be the Goddess of the feminine and is the wife and sister

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    Art Paper Outline

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    Seated Statue of Queen Hatshepsut ‚ white limestone (29.3.2)‚

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    They thought of the gods as people‚ but bigger and more beautiful than any human being. The early Greek statues were stiff and flat‚ but that changed in the 6th century BC when the sculptors began to study the human body and work out its proportions. The Greeks wore no clothing when they practiced sports‚ and the sculptor could observe their beautiful‚ strong

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    Although these were false gods‚ the Greek gods played a huge role in greek culture. In ancient Greece these gods were apart of their everyday lives. The Greeks beliefs and traditions were all inspired by the Greek gods in different ways. They held city festivals and sporting and artistic competitions to praise the gods for all they did for them. They built temples for the gods so that they could worship them‚ and surprisingly many of the temples are still up today. Many looked for signs from the

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    presenting many classic elements of Greek sculpture‚ and standing tall as a symbol of Greek‚ but especially Athenian strength. One of the most important themes showcased in the Parthenon can be seen in Phidius ’ sculpture of Athena Parthenos‚ or the statue of the virgin Athena‚ which stood over 38 feet tall‚ made of gold and ivory‚ portrayed holding her shield‚ spear and helmet as well as the winged Nike in her outstretched hand‚ representing the victory over the Persians in 479 BCE. Athena stood triumphantly

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    Medea Medea is a character existing outside of the typical Greek value and social systems that existed in the Greek Polis’s at the time of the play’s inception. She is strong willed‚ powerful‚ intelligent‚ cunning‚ volatile and independent. She possesses many traits and characteristics reserved and associated with Greek heroes in other plays common at the time. It could be possible to assume that a typical Greek audience of the time (likely predominantly male) would find this character absurd

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