being explored in the West. The first generation of animators in the late 1910s included Ōten Shimokawa‚ Jun’ichi Kōuchi and Seitaro Kitayama‚ referred to as the "fathers" of anime.[1] During World War II‚ propaganda films such as Momotarō no Umiwashi (1943) and Momotarō: Umi no Shinpei (1945) were made‚ the later being the first anime feature film. During the 1970s‚ anime developed further‚ separating itself from its Western roots‚ and developing distinct genres such as mecha and its Super Robot
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Chivalry. It is an ardently admired characteristic‚ which is scarcely seen‚ in its pure form in today’s society. Chivalry is thought of today as a mythical medieval practice‚ which goes hand in hand with dragons‚ tumultuous quests and fair maidens. Having a chivalric nature is to have the sum of the ideal qualifications of a knight‚ including courtesy‚ generosity‚ valor‚ and dexterity in arms. Chivalry has been admired and respected consistently throughout the ages and audiences have responded well
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control me. Ryan Schaefer‚ who is my physical therapist and trainer‚ has torn both his ACLs several times and had excellent advice and relatable moments. Ryan is my Araidne‚ he helped me through my worst just like she did for Theseus. In the story I relate to Theseus because I am trying to find my thread after this surgery‚ and conquer my own version of the Minatour which is ACL reconstruction surgery. At the end of July is when I started to get back my groove‚ I finally was allowed to start
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Midterm Exam Part I - Multiple Choice (2 points each) 1. True myth is primarily concerned with: a. the gods b. wars c. heroes d. animals 2. What does Athena offer to Athens in her contest with Poseidon? a. the knowledge of weaving b. the olive tree c. victory in battle d. wisdom 3. What goddess does Iris usually serve? a. Athena b. Aphrodite c. Artemis d. Hera 4. With what goddess is Hephaestus often associated through practical wisdom‚ arts and crafts‚ and the advance of civilization
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Egeus comes to Theseus to request his daughter Hermia be forced to marry Demetrius (a noble man). Demetrius is willing unlike Egeus’s daughter Hermia. Hermia doesn’t want to marry Demetrius because she loves Lysander. Lysander is an equal to Demetrius and loves Hermia. Theseus gives Hermia options; marry Demetrius‚ become a nun or die. Helena‚ Hermia’s best friend is in love with Demetrius but
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The term "metatheatre"‚ coined by Lionel Abel‚ has entered into common critical usage; however‚ there is still much uncertainty over its proper definition and what dramatic techniques might be included in its scope. Many scholars have studied its usage as a literary technique within great works of literature. Abel described metatheatre as reflecting comedy and tragedy‚ at the same time‚ where the audience can laugh at the protagonist while feeling empathetic simultaneously.[1] The technique reflects
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C.J. Hassan Mr. Woodbury English H/P. 5 4/19/13 Tragedy: The Power to Change Feelings “Tragedy” is a term that although complex was given definition by Aristotle in his Poetics. In drama‚ specifically‚ “. . . a tragedy is a play‚ in verse or prose‚ that recounts an important and casually related series of events in the life of a person of significance‚ such events culminating in an unhappy catastrophe‚ the whole treated with great dignity and seriousness” (Handbook 505). Sophocles’ play Oedipus
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Constance Lee Joseph Dowd HumCore Seminar MWF 1 December 2014 Virtue in Machiavelli’s The Prince Modern society accepts virtue to simply mean behavior illustrating high moral standard. The Latin word‚ virtus‚ originates from vir‚ meaning “man‚” and based upon this derivation‚ Machiavelli associates virtue with a definition more closely identified with manliness and a man’s ability to succeed. In Machiavelli’s The Prince‚ Machiavelli defines virtue to be the ability to achieve success by any means
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Titania‚ and Lysander ‚ fall in and out of love throughout the events of the story and show great irrationality. The Athenian Duke Theseus states when being told of these
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Only the finest entertainment can be honored with the King’s viewing‚ or so it seems. Everyone in all of Athens is begging to know what King Theseus chose to watch at his nuptial ceremonies. The answer may shock you! For the King chose a play that could possibly by deemed the worst performance of Athenian culture in all of Greek history. The name of this horrendous play is “A tedious brief scene of young Pyramus and his love Thisbe‚ very tragical mirth‚” (147). The name itself is something to be
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