“Confusion and deception are key elements of comedy.” How does Shakespeare present these ideas in Twelfth Night? Confusion and deception are two key elements that occur often in Shakespeare’s Twelfth Night and they seem to go hand in hand with one another- where one occurs the other is slowly behind. As in most comedies‚ Twelfth Night celebrates different forms of confusion and deception in order to make the play more entertaining and comical Shakespeare incorporates the confusion and deception throughout
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Twelfth Night: Comedic Techniques Elaborate the Nature of Love The infamous Shakespeare comedy “Twelfth Night” uses a variety of techniques to depict humor and comicality but‚ manages to develop the nature of love in doing so. Literary devices such as puns‚ dramatic irony and scene layout are used to provide comedy but‚ characters are what represent Shakespeare’s personal thoughts on the broad topic of love. Characters in every type of literature give life to the story and are a gateway of expressing
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William Shakespeare’s Twelfth night and David Henry Hwang’s M. Butterfly are both plays that challenge heteronormative expectations and force the readers to abstain from believing that love is only correct amongst the male and female gender. In Fact‚ through the characters actions we witness that once someone is in love‚ it blinds them from their reality forcing them to neglect clear signs of “unusual/queer” behavior. Both plays share a homologous theme that: love makes people crazy and makes them
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In Shakespeare’s "Twelfth Night"‚ it is clearly evident that the fluctuation in attitude to the dual role and situation and tribulations imposed upon the character of Viola/Cesario ends up in a better understanding of both sexes‚ and thus‚ allows Viola to have a better understanding for Orsino. Near the opening of the play‚ when Viola is adopting her male identity‚ she creates another self‚ like two masks and may decide to wear one or the other while swinging between the two identities in emotion
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opposing values‚ emotions and choices. Another type of conflict is the external conflict where there is a clash between the protagonist and the antagonist. In “Gimpel The Fool”‚ written by Isaac Singer‚ the main conflict is an external conflict. There is a clash between Gimpel and the society. He has the reputation of being a fool.. In Singer’s story‚ he shows that the society can be deceiving and abusive to people for their own contentment. The story deals with Gimpel’s struggle towards the people
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In her 1991 article‚ retired English professor Elouise M. Bell quotes one of the Bard’s clowns‚ starring in Twelfth Night. Both witty individuals make the argument that friends wrongly lie to protect feelings‚ while supposed enemies tell the truth in order to harm‚ and yet‚ that is the better option. As Prince Hamlet‚ another one of Shakespeare’s clever characters‚ states‚ “I must be cruel only to be kind.” Bell explains in detail four ways of viewing and reacting to opposition in her article‚ all
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Disguise is the source of theatrical appeal in Shakespeare’s Twelfth Night. Discuss the validity of this statement. Michael Pennington describes Twelfth Night as a typical Romantic Comedy with a sublime sense of inconcsequentiality amidst the lyrical nature that plagues its environment. Therefore it is none other than that of a romantic comedy‚ and by definition‚ seeks the usage of a most humourous yet vital factor that shapes the events that are to occur; Disguise. Disguise indeed gives rise
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Character study: Malovlio: Did he deserve the punishment that he received? The character Malvolio (meaning literally "I mean ill will) is immediately affected by the implications of his name. His personage is implied directly to be one of negative and somewhat disagreeable nature‚ which is continued and supported throughout the play‚ leading to his downfall and mockery which both initially seem to be thoroughly deserved‚ due to his numerous defects of personality. The first evidence
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Who is the Corporate Fool? Not much unlike the courtroom jesters‚ the Corporate Fool is one who operates within the corporate system‚ yet is not afraid to highlight the hubris‚ follies and myopia of the leaders of the organization. The Corporate Fool is the reality check to every over-confident leader‚ a solution to gun-point problems and a divergent lens for visionary leaders. However‚ just as the power that a single monarch once held‚ is sometimes dispersed amongst the top management of present-day
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Twelfth Night – Exploring the names of the Characters I am going to explore the two names of: * Olivia * Feste Olivia When I first saw the name ‘Olivia’‚ I automatically thought of anagrams. Olivia is almost a perfect anagram of ‘Viola’! Although Olivia and Viola possess a number of qualities which are not just different‚ but in complete opposition with one another other‚ they do in fact have a great deal in common. The names Shakespeare has given the two characters is perhaps a reflection
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