Bertha As The Feminist Heroine of Jane Eyre Jane Eyre‚ written in 1847 by Charlotte Bronte‚ chronicles the journey of the title character as she faces hardships and adversity along her journey into adulthood. Orphaned as a young child and given up by her caregiver and Aunt‚ Jane perseveres and appears to have found happiness when she becomes engaged to her employer‚ Edward Rochester. A critical moment in the novel occurs when Jane comes to the shocking realization that her fiancé already has
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Fiction 20 September 2014 Gothic Elements in Jaws In June of 1995‚ Director Steven Spielberg released a terrifying thriller called Jaws. In this film a gigantic great white shark terrorizes a small island‚ which is solely dependent on its beach for revenue. This movie was so scary because it is much more likely happen‚ unlike a zombie apocalypse or alien attack. People were so afraid of shark attacks they stayed far away from the beaches. Spielberg used gothic elements in his movie Jaws. The way
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novel Jane Eyre Throughout Jane Eyre‚ Bronte incorporates narrative techniques to emphasise certain points and to keep the reader’s attention. In the first few chapters of the novel we are introduced into the world she is surrounded by‚ with the use of very descriptive imagery‚ with a gothic element also incorporated for the audience to obtain a grasp of Jane’s situation. As the nature of the book develops and unravels‚ frequently used devices such as the incorporation of a gothic element is seen
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Women writers use their personal lives as stimulus when writing works of fiction. As seen in the classic author Charlotte Brontë and her novel Jane Eyre (1847) and also for the contemporary author Kathy Reichs. While Jane Eyre is a novel telling the life story of its title character‚ it is mostly based upon aspects of Brontë’s life. Kathy Reich’s uses her life and personally traits to develop the main character and her life in her novels as well. There are a few reasons why women use this technique
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Dracula will forever stand as one of the masterpieces of Gothic literature. The despicable villain Count Dracula and and his Transylvanian castle have become synonymous with horror and vampires‚ to the point that the modern image of the vampire is almost entirely derived from Dracula. However‚ one of this story’s most effective elements is Stoker’s masterful control over the mood of the novel. Stoker primarily influences the mood of Dracula by his use of spooky or wild settings‚ spiritual conflict‚ and
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between Jane and Rochester‚ in Jane Eyre is an intriguing‚ captivating and unconventional one‚ right from their first meeting. Throughout the novel‚ Bronte conveys the struggles in which Jane is faced with‚ in order to have a genuine loving and equal relationship with Rochester‚ without betraying her own personal beliefs and principles. Also the issues of social class standing‚ social rules‚ gender roles and religion in the nineteenth century Victorian culture present as obstacles to Jane in her quest
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The genre of gothic literature contains both elements of horror and romance‚ with an innocent female‚ a powerful male (usually the quintessential villain)‚ as well as themes to do with the supernatural as key features included in the novel. In this chapter‚ elements of the gothic begin in the very title of the book: the ‘bloody’ in ‘The Bloody Chamber’ associates the idea of death and gore‚ a more horrific element of the gothic genre; the ‘Chamber’ itself now sounds more claustrophobic and similar
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pleasure but form and inspiration’(1) to those successful voices such as Charlotte Bronte’s in Jane Eyre‚ that can be viewed in many ways as a variation of Cinderella. Bronte is able to connect easily to her readers by both using and twisting the conventional ideals and elements presented in Cinderella story and thus succeeds in re-shaping the prototype of the female. Although the story of Cinderella and Jane Eyre are not exactly the same‚ there are extremely close relations between the two in terms of
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Abstract In an attempt to find out the purposes of the gothic elements in The Picture of Dorian Gray‚ this essay takes a close look at the three most prevailing gothic elements in the novel: the portrait‚ decadence‚ and the gothic villain by first exploring their presence and development throughout‚ and then examining their contributions to the characters‚ the plot development and the themes. First of all‚ the unique properties and symbolic meanings of the portrait in this novel are discussed. The
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Bronte’s Jane Eyre serve the purpose of highlighting the reversal of gender roles established between Jane Eyre and Mr. Rochester‚ as well as the fundamental difference between the two characters. Mr. Rochester views‚ in his fantasies‚ Jane Eyre as a “fairy”‚ to save him and take him to “the moon”. Jane Eyre views Mr. Rochester realistically‚ but does have fantastical views of the world‚ whether it be fairies leaving “notions” (103) for her or her mother reaching out to her in a dream. Jane Eyre’s
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