This type of environment suggest a freedom from constraint where party goers can dance and have fun. The clothing worn is fancy thus a formal event is happening, perhaps a ball or a concert. The red tint gives the picture a painterly element showing the viewer that the artist didn’t just take a picture but that he hybridized painting and photo making. The red tint is a very emotionally intense color, giving the picture a feeling of high energy. The circles are painted in two different shades of the same color thus allowing the viewer the look into the circle and see some sort of detail, suggesting the faces are all connected but have distinct differences. By covering the faces of the crowd, this distances the viewer from crucial information such as the expressions and the age of the party goers, allowing the viewer to create their own ideas of what is happening in the photomontage. The only face that is fully seen is the accordionist. This comparison shows that maybe the only person who matters is the accordionist. The message of this piece is from the accordionist point of view, telling the story that everyone sees and knows him but he doesn’t know the crowd. This message is reenforced by the photograph of the accordionist standing on a stage looking out upon the audience. Squinting his eyes, the accordionist looks at
This type of environment suggest a freedom from constraint where party goers can dance and have fun. The clothing worn is fancy thus a formal event is happening, perhaps a ball or a concert. The red tint gives the picture a painterly element showing the viewer that the artist didn’t just take a picture but that he hybridized painting and photo making. The red tint is a very emotionally intense color, giving the picture a feeling of high energy. The circles are painted in two different shades of the same color thus allowing the viewer the look into the circle and see some sort of detail, suggesting the faces are all connected but have distinct differences. By covering the faces of the crowd, this distances the viewer from crucial information such as the expressions and the age of the party goers, allowing the viewer to create their own ideas of what is happening in the photomontage. The only face that is fully seen is the accordionist. This comparison shows that maybe the only person who matters is the accordionist. The message of this piece is from the accordionist point of view, telling the story that everyone sees and knows him but he doesn’t know the crowd. This message is reenforced by the photograph of the accordionist standing on a stage looking out upon the audience. Squinting his eyes, the accordionist looks at