Adelma, The Afterlife?
Adelma, The Afterlife?
Invisible Cities by Italo Calvino is a surreal novel that leaves the reader unsure if he/she is coming or going. Marco Polo converses in a garden with Kublai Khan on a daily basis and tells him of the travels that he has experienced. We are met with many different descriptions of cities, some light and some dark. The novel describes a world of constant uniformity. Although there is a wide sense of travel throughout the novel, there is also a sense of stagnation. We are taken on voyages to many different cities but at the same time all of the cities are hypothetical.
In Cities of the Dead 2, Polo describes the city of Adelma. Adelma is a city of depression and death. When Polo first arrived at Adelma he was …show more content…
met with darkness. It almost seems as if the appearance of the city was a foreshadowing of how the city was going to materialize. Darkness is sometimes associated with death and in some cases it could be a synonym. Maybe since Adelma is a city of the dead, it is never dawn, it is always dusk. Upon entering the city he is met with dark observations.
While observing the city, Polo is met with many different characters that sometimes resemble people that remind him of deceased friends and family members. This city is very frightening to him and to save personal anguish he does not dare to look at anyone else in the face. He then realizes that he might also be the one that is being recognized. "Perhaps, for each of them, I also resembled someone who was dead"(95).
Polo speaks of the mind running out of room for new faces. "You reach a moment in life when, among the people you have known, the dead out-number the living. And the mind refuses to accept more faces, more expressions" (95). It is a city where you become aware of you age and weariness. The city is different compared to the other cities mentioned throughout the novel because Polo acknowledges his age and the looseness of the human mind.
In this city Polo finds out what the afterlife could be like.
He sees the city how it is, grim and unhappy. He assumes that you arrive at Adelma as a dead person and you are on a quest to find the people that you knew throughout your life. Depending on personal beliefs, the afterlife is often seen as a place of paradise or bliss. At Adelma, Polo is met with the harsh realization that "the beyond is not happy" (95). Maybe Adelma is seen as hell. It could be an afterlife where all of Polo's fears are personified. Alike the other cities, the reader is faced with the question of: Is this real or is it a figment of Polo's imagination?
While describing the city Polo asks himself if he is dreaming. Maybe Adelma is a dream or in this case a nightmare that exemplifying Polo's vision of death. The reader gets a sense that Polo is afraid of death and what it holds for him. He then comes to the realization that if the city is real, all he has to do is stare at the people and the familiar faces will go away and be replaced by unfamiliar faces. This never happens. He continues to look at the faces and the faces look back as if they recognize him. Polo then believes that he is one of them, he is seeing them the same way that they are seeing
him.
Polo tells Khan that all of the cities that are mentioned throughout the book make up the city of Venice. When Polo first starts to describe Adelma, he states that it is the farthest away that he has ever been. I believe that the distance that Polo has traveled to get to Adelma is relevant because the afterlife is always the place that is furthest away. Overall, I found it unclear to decipher how all of the cities are one but I believe that all of the cities exist in Polo's mind of how he thinks Venice should and could be. I also believe that the city of Adelma is Calvino's way of trying to express the point that death is only a state of mind or lack there of.
Invisible Cities by Italo Calvino is a surreal novel that leaves the reader unsure if he/she is coming or going. Marco Polo converses in a garden with Kublai Khan on a daily basis and tells him of the travels that he has experienced. We are met with many different descriptions of cities, some light and some dark. The novel describes a world of constant uniformity. Although there is a wide sense of travel throughout the novel, there is also a sense of stagnation. We are taken on voyages to many different cities but at the same time all of the cities are hypothetical.
In Cities of the Dead 2, Polo describes the city of Adelma. Adelma is a city of depression and death. When Polo first arrived at Adelma he was …show more content…
met with darkness. It almost seems as if the appearance of the city was a foreshadowing of how the city was going to materialize. Darkness is sometimes associated with death and in some cases it could be a synonym. Maybe since Adelma is a city of the dead, it is never dawn, it is always dusk. Upon entering the city he is met with dark observations.
While observing the city, Polo is met with many different characters that sometimes resemble people that remind him of deceased friends and family members. This city is very frightening to him and to save personal anguish he does not dare to look at anyone else in the face. He then realizes that he might also be the one that is being recognized. "Perhaps, for each of them, I also resembled someone who was dead"(95).
Polo speaks of the mind running out of room for new faces. "You reach a moment in life when, among the people you have known, the dead out-number the living. And the mind refuses to accept more faces, more expressions" (95). It is a city where you become aware of you age and weariness. The city is different compared to the other cities mentioned throughout the novel because Polo acknowledges his age and the looseness of the human mind.
In this city Polo finds out what the afterlife could be like.
He sees the city how it is, grim and unhappy. He assumes that you arrive at Adelma as a dead person and you are on a quest to find the people that you knew throughout your life. Depending on personal beliefs, the afterlife is often seen as a place of paradise or bliss. At Adelma, Polo is met with the harsh realization that "the beyond is not happy" (95). Maybe Adelma is seen as hell. It could be an afterlife where all of Polo's fears are personified. Alike the other cities, the reader is faced with the question of: Is this real or is it a figment of Polo's imagination?
While describing the city Polo asks himself if he is dreaming. Maybe Adelma is a dream or in this case a nightmare that exemplifying Polo's vision of death. The reader gets a sense that Polo is afraid of death and what it holds for him. He then comes to the realization that if the city is real, all he has to do is stare at the people and the familiar faces will go away and be replaced by unfamiliar faces. This never happens. He continues to look at the faces and the faces look back as if they recognize him. Polo then believes that he is one of them, he is seeing them the same way that they are seeing
him.
Polo tells Khan that all of the cities that are mentioned throughout the book make up the city of Venice. When Polo first starts to describe Adelma, he states that it is the farthest away that he has ever been. I believe that the distance that Polo has traveled to get to Adelma is relevant because the afterlife is always the place that is furthest away. Overall, I found it unclear to decipher how all of the cities are one but I believe that all of the cities exist in Polo's mind of how he thinks Venice should and could be. I also believe that the city of Adelma is Calvino's way of trying to express the point that death is only a state of mind or lack there of.