The narrator laments that the thought of escaping to her present situation no longer consoled her because she “did not even have this to look forward to” (line 22). This forces the narrator to reflect on the underlying motivations driving her to act. Up to this point, it had been a desire to escape her life and find a better one elsewhere. Yet, she now feels unsure after she has accomplished that goal. She even describes her future as “a large gray patch surrounded by black, blacker, and blackest” (lines 58-59). This key line puts a stop to the thing that pushed her forward all this time—the hope for a better future. By destroying this fundamental part of her character, the narrator inevitably must find a new motivation to move forward and continue progression on the stairway of life. However, before she reaches that point, she reflects on whether looking towards the future truly is always better than living in the past. She does this by painting her past as “familiar and predictable” (line 40) solid ground, while her future is an “overcast seascape” (line 42) with seemingly no hope for progress. This metaphor pushes the narrator to find out what motivates her—hope for the future or longing for the
The narrator laments that the thought of escaping to her present situation no longer consoled her because she “did not even have this to look forward to” (line 22). This forces the narrator to reflect on the underlying motivations driving her to act. Up to this point, it had been a desire to escape her life and find a better one elsewhere. Yet, she now feels unsure after she has accomplished that goal. She even describes her future as “a large gray patch surrounded by black, blacker, and blackest” (lines 58-59). This key line puts a stop to the thing that pushed her forward all this time—the hope for a better future. By destroying this fundamental part of her character, the narrator inevitably must find a new motivation to move forward and continue progression on the stairway of life. However, before she reaches that point, she reflects on whether looking towards the future truly is always better than living in the past. She does this by painting her past as “familiar and predictable” (line 40) solid ground, while her future is an “overcast seascape” (line 42) with seemingly no hope for progress. This metaphor pushes the narrator to find out what motivates her—hope for the future or longing for the