In the novel, Daisy symbolizes everything Gatsby aspired to gain--wealth, status, and luxury; she is Gatsby’s idealization of affluence. When discussing Daisy as “the first ‘nice’ girl [Gatsby] had ever known,” (148) he ironically does not focus on Daisy as a person, but the riches that come with the idea of her. The paragraph begins with “She was the first ‘nice’ girl he had ever known,” but as the paragraph progresses, her home (and not her) is described with scintillating diction like “breathless intensity,” “beautiful,” and “gay and radiant” (148). In a paragraph that would be expected to discuss Daisy as a “nice” girl, Gatsby ironically speaks primarily of her home. The lively diction describing the house emphasizes its luxury and excessiveness--its superficial materialism. These judgments on Daisy’s home reflect not only the superficiality of the house but also of Gatsby and his shallow perspective. The syntax of the sentences describing her home are also excessive in length, therefore mimicking the flow of the house’s luxury. Furthermore, the closest thing to describing Daisy as a person would be when “It excited
In the novel, Daisy symbolizes everything Gatsby aspired to gain--wealth, status, and luxury; she is Gatsby’s idealization of affluence. When discussing Daisy as “the first ‘nice’ girl [Gatsby] had ever known,” (148) he ironically does not focus on Daisy as a person, but the riches that come with the idea of her. The paragraph begins with “She was the first ‘nice’ girl he had ever known,” but as the paragraph progresses, her home (and not her) is described with scintillating diction like “breathless intensity,” “beautiful,” and “gay and radiant” (148). In a paragraph that would be expected to discuss Daisy as a “nice” girl, Gatsby ironically speaks primarily of her home. The lively diction describing the house emphasizes its luxury and excessiveness--its superficial materialism. These judgments on Daisy’s home reflect not only the superficiality of the house but also of Gatsby and his shallow perspective. The syntax of the sentences describing her home are also excessive in length, therefore mimicking the flow of the house’s luxury. Furthermore, the closest thing to describing Daisy as a person would be when “It excited