Preview

analysis of Mendelssohn trio Op.49

Good Essays
Open Document
Open Document
511 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
analysis of Mendelssohn trio Op.49
Shiyun. Shang
Music analysis paper Mendelssohn Trio Op.49 The first movement of Erstes trio Opus.49 is one of the most famous trios by Mendelssohn Bartholdy. This movement is in d minor. The form of this piece is called the classical sonata form. Sonata form contains three main sections. The first section is called the exposition, the second section is called the development and the third section is called the recapitulation. The exposition starts with d minor, with a feeling of melancholy. The cello starts the main melody and then violin repeats the melody. The first part of the exposition starts from mm.1-mm.117. On mm.38 the piano plays an arppeggiated diminished seventh chord with the d pedal. This part sounds like drifting around and finally gets back again to the melody on mm.66. The transition starts from mm.84 to mm.118. During the transition, strings and the piano performed a technique of question and answer from mm.90 to the German six chord on mm.106. The second theme starts on mm.118-mm.186. The second theme is in A major. In comparison to the first theme, the second theme sounds smooth and cheerful. From mm.186 to mm.221 is the codetta. The codetta repeats the very first theme in a different way and leads the listeners to the development. The development starts from mm.222 to mm.366. During the first part of the development, the key of melody constantly shifts back and forth from g minor to Bb major. For example, from mm.229 to mm.237, the melody stays in d minor and gives the audience a feeling of discontent. At the end of mm.237, the C natural gives the listener a hint of key change. On mm.238, the key changes to g minor. The hint of change key appears again with the f natural on mm.248 and modulates to the Bb major on mm.251. The key changes to A major (V) on mm.327. On mm.336 the cello and the violin starts a canon and then modulates to i at the end of the development. The recapitulation starts from mm.366 till the end of the

You May Also Find These Documents Helpful

  • Good Essays

    The first movement opens quietly with lyrical cello theme over piano accompaniment which is followed by a series of elaborate transformations.…

    • 375 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Another melody in the song no. 2, melody B (fig. 19) appears together with the melodies A and A’ in the middle of the song in mm. 88-99 and mm. 128-139. Contrary to the melodies A and A’, the orchestra and the melody B have the same mode, C# Aeolian. Therefore, a direct modulation in fourth relationship occurs between melodies A and A’ in G# Aeolian and melody B in C# Aeolian, while a modulation using a common chord G# minor occurs in the accompaniment as seen in fig. 20.…

    • 630 Words
    • 3 Pages
    Good Essays
  • Better Essays

    Mus 100 Study Guide

    • 1142 Words
    • 5 Pages

    - Recapitulation: 3rd section of the sonata-allegro. Reviews the material of the exposition, presenting it in a new light.…

    • 1142 Words
    • 5 Pages
    Better Essays
  • Good Essays

    It appeals to performers and audience by beginning with a energetic maestoso. At measure 9 a low brass figure leads into the first statement of the flowing, lyrical theme 1 in the clarinet and baritone voices. A measure 30 the rest of the woodwinds join in the melody. Around measure 53, Swearingen somewhat layers more and more voices of the band into this piece. At the end of this piece they finish with a strong coda section in ABA style composition.…

    • 743 Words
    • 3 Pages
    Good Essays
  • Good Essays

    It is written for a five stringed cello. The Prelude of the D major prelude is the longest and grandest of the 6. It is an exuberant fast flowing introduction into D major. It is one of the only two movements Bach indicated dynamic. Bars are frequently written in repeated pairs, the first one strong, and the second one is an echo of the former one. The only other movement in the 6 cello Suites that has dynamic markings is the Sarabande in D minor. The Allemande is a German dance. The meter is 4/4, a calm walking dance without jumps. Courante is a French dance, was the favorite dance of King Lous XIV and he is said to have been very good at it. Allemande and Courante formed a pair, in which the Allemande is the calmer dance in 4, the courante the faster dance in 3. The Sarabande has its orgin in Spain. It is a slow majestic processional dance in ¾ or 3/2 with an accent on the 2nd beat and the first. In Suite 6 the Sarabande movement is in 3/2. All Sarabandes starts on the first beat. The Sarabande has two main accents, on beat one and on beat two and the third beat has no accent. The Gavottes are in 2/2 or 4/4 and all start with an upbeat of 2/4. The main accent is on beat one and the other accent is on beat three. Even if it is sometimes written in 4/4, the feeling is 2/2. Beat two and four have an upbeat character and no accent of their own. The micro-dynamic units are usually one bar. The first Gavotte is joyous…

    • 1051 Words
    • 5 Pages
    Good Essays
  • Good Essays

    - The piece is almost entirely syllabic and based on the following 3 main themes:…

    • 319 Words
    • 2 Pages
    Good Essays
  • Good Essays

    This movement for the most part seems calm and peaceful. It seems to have two parts prior to the middle of this movement. The first part has cellos and violas and the second part has clarinets. Then the full orchestra plays. Once you get to the middle of this movement you can hear the woodwinds play. At the end of this movement it seems to go back to the main melody theme played by the full orchestra.…

    • 454 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The famous main melody, introduced after a few counts of quarter notes from the lower instruments, is played and repeated by the upper instruments three times with slight changes each time. During this melody, it can be difficult to play the notes short and precise while maintaining the delicacy. It then completely shifts to a moving section with chromatic eighth notes from the upper instruments that through crescendo and decrescendo with the lower instruments playing an interesting part in between repetitions. Eventually, it switches back to the main melody until the song ends with a rich long tone from the lower…

    • 648 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Lark Ascending Analysis

    • 764 Words
    • 4 Pages

    To introduce the piece two cadenzas inspired by the same melody are performed over a continuous subtle harmony. The piece begins with sustained chords between the string instruments and wind instruments. This gives a relaxed effortless tone to the piece and resembles the calmness and tranquillity of a spring day in England. The violin then enters imitating the lark. The violin plays an ascending pattern with elongated arpeggios. The chords underneath drop out so the violin plays a solo introducing the first theme. The orchestra is quietly introduced and develops the almost folk like motif. A folk dance theme is then introduced led by the clarinet and flute and woodwinds as the solo cadenza is repeated. The full orchestra then comes in however it is still fairly restrained to imitate the English countryside. There is antiphonal exchange between the solo violin playing a trill and then the woodwinds imitating the bird like call. This is followed by the solo violin playing a series of cadenzas over the orchestra which could represent the lark flying over the countryside and rolling hills. The shorter cadenza for the soloist is fairly contrasting in comparison to the rest of the piece. There are two separate melodies competing with one another yet also mimicking each other. There is…

    • 764 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Wind Music Concert Essay

    • 758 Words
    • 4 Pages

    The first piece on the program was Second Suite from the twentieth century period. Also, it consists of four movements of different speed and style. However, the first movement titled is March and the speed of this movement was Adagio in general but it contain fast short note that is different in speed and it gets slow when the play solo instrument. The rhythms of this movement contain a combination of solo trombone, which have the main melody and drum at the back. The timber of this movement is brassy. The second movement is titled Song without words,…

    • 758 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Intrigues Me Analysis

    • 514 Words
    • 3 Pages

    It has a simple and catchy melody, featuring a prominent extended eight-note arpeggio. The piece is form of Rondo, the piano play three loud and powerful chords, and then the clarinet quickly comes in play the first theme, with bright tone. Repeat the first theme once, and then become the second theme. The melody does not have a big difference, but using triplets make the piece more active. The third theme compares to the first one has a strong lyricism. I like it because the whole piece is lively, fun and humorous, very smooth and cheerful.…

    • 514 Words
    • 3 Pages
    Good Essays
  • Better Essays

    The exposition is full of many different motifs, although many of these motifs are very similar or could in fact be put together to form a longer motif. The first motif to appear in the exposition would be the melody in the first violin part that starts on the last crotchet beat of bar one. The main motif within this melody would be bar three with the dotted crotched followed by the five quavers as seen as motif ‘x’ in Figure 1. Another motif that could be identified within this melody, which is only ever so slightly different to the first motif mentioned, would be bar two. The only difference between this motif and the earlier mentioned motif is the added grace note after the dotted crotchet and quaver as you can see in…

    • 2204 Words
    • 9 Pages
    Better Essays
  • Good Essays

    While this form has a formula or approach to it. It is rather rigid and leaves itself to be very open. It uses a 3 part binary form that has an Exposition, Development and Recapitulation. Many composers have developed and expanded this style of music composition. Mozart being the subject of this paper is also one of the composer known for his strong and clear understanding of Sonata form in his music. This paper will examine one of his piano sonatas entitled, Piano Sonata K. 281 in Bb Major.…

    • 1523 Words
    • 7 Pages
    Good Essays
  • Good Essays

    The first period of the piece lasts from measures 3-15 and contains two phrases. The piece starts in E major and modulates to B…

    • 1405 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Music Performance – Unit Three Outcome One and Two: Criteria One: Knowledge of Work Selected for Performance.…

    • 1294 Words
    • 6 Pages
    Good Essays

Related Topics