Overall, the fourteen-line stanzas are very consistently structures: two longer lines alternated with four shorter lines, the rhyme occurring in couplets. The regularity of the structure, as well as the consistent alternation in line length creates the appearance of song verses or nursery-rhymes, which is one way in which the author creates a light-hearted tone. This consistency only breaks down at the end, where, at the end of the stanza, there are three short lines and three long lines, instead of four and two, respectively. This break reflects the change in tone. The last stanza, in stark contrast to the preceding verses which portray love and merriment, includes many images of death. For instance, it describes how Corinna and the speaker will become like “fleeting shade (66)” and how they are even presently “decaying (69).” Thus, it is almost as if the form alters in this last stanza because it is disrupted by the sudden change in imagery. Additionally, Herrick includes this one inconsistency in an otherwise strictly regular poem in order to draw the reader’s attention to the last few lines. It is in these lines that the author summarizes the message of the poem and the carpe diem theme which is recurrent throughout much of his poetry: “Then while time serves, and we are but decaying, / Come, my Corinna, come, let’s go a-Maying (69-70).”…