He was a greatly influenced by Caravaggio. In 1610, van Honthorst, moved to Italy to study Caravaggio’s realism and dramatic use of artificial light (Gerrit van Honthorst). Caravaggio is one of the most widely imitated artists in the history of Western art. Many of Caravaggio’s followers, including van Honthorst, were particularly interested in Caravaggio’s paintings of the underbelly of Rome’s street-life (Benay). His followers were most likely struck by Caravaggio’s ability to grant subjects dignity that was not necessarily consistant with the lowly actions shown in the painting (Benay). The image, Smiling Girl, a Courtesan Holding an Obscene Image, clearly shows van Honthorst’s use of Caravaggio’s technique of making subjects that were engaging in unseemly behavior still look dignified. Gerrit van Honthorst returned to the Netherlands in 1620, after studying the methods of Caravaggio. Van Honthorst stayed in Utrecht until 1627. Although van Honthorst continued to paint using Caravaggio's techniques in his works, by 1624 a number of his painting began to depart from the usual stylistic formula of his fellow Caravaggisti; artificial illumination was used less frequently in his major compositions (Errata: Gerrit van Honthorst: A Discussion of His Position in Dutch Art, 1962). Van Honthorst’s most significant contribution to Dutch art was his leadership, of the Utrecht followers of Caravaggio. It…
“J.C. Dye is a contemporary Western sculptor born in 1948, he lives in Montana and is a self taught artist” (www.bronze-galary.com). J.C. is highly known for his sculptures and how well modeled and detailed they are. Almost all of his sculptures are that of the Western theme such as Native Americans, Indians, and animals. In this sculpture J.C. shows and Indian on his horse, the Indian is holding a bow and looking for something to hunt. In this particular sculpture there were only 15 made, so if you see this sculpture know it is very rare and very popular.…
Art in eighteenth and nineteenth century took many roles in history illustrating the modern world. Courtly art was uninterrupted through the renaissance period until it came to standstill in the eighteenth century antiquated by the rise of the Bourgeois class. With countless revolutions emerging throughout the eighteenth and nineteenth century, ensued by the new found enlightenment, artists became liberated with the subjects used in their art, depicting political ideals of the artist and rebellion inspired propaganda. Art and its role was not only political, but also emotional and conceptual which lead to the art we know of today.…
The art piece is representational, the lines are sharp and there are various and different shapes. The texture is smooth and there has been more than one colour that has been used in the painting. The tone shows that the sun is on him even though there is no sun shown in the portrait. Space and depth has been used as you can tell the objects are further away and the ones that are closer up and in detail.…
Likewise McLean has utilised particular metaphors to broaden reader’s minds upon the personal experiences of Vincent Van Gogh. The metaphor ‘Portraits hung in empty halls’ proves that Van Gogh’s paintings were unappreciated whilst he was alive. This metaphorical language therefore depicts an image of emptiness towards Van Gogh proving the defining statement that McLean comments on historical and emotional values through the use of imagery.…
I found three particular compositions to be representative of their era or genre. The first of which is an oil painting on a wood panel by an Englishman named William Larkin to be completed in 1610. This piece, entitled Mary Radclyffe, is a portrait of King James’s wife, Mary Radclyffe. It is very obvious to see, after reviewing the Roman artistic style of idealizing an individual in a realistic way, that this is a idealized view of Radclyffe. As a matter of fact, William Larkin was one of the last artists to work in this refined, elegant portrait style of Elizabeth I. The clothing Radclyffe is donning in the aforementioned painting is typical of the high class during the time it was completed in the early 17th century. This piece can also be classified as having a Baroque nature about it. The Baroque cultural movement pertained to not only art, but music, dance, and literature as well. The artistic style emits a sense of awe and a tremendous attention to detail which is seldom mistaken for any other method. This Idealized style derives from Plato and the “higher reality of eternal truths” which he refers to in his book, the Theory of Forms.…
Museum it still had lots of wonderful art displays to share from various artists many of them…
In this essay you will be comparing and contrasting two different types of paintings. The same subject matter but different ideas of the same subject. I will be writing about The Last Supper, which was painted by Giampietrino, after Leonardo da Vinci. He used oil on canvas while painting the piece of art. The year that Giampietrino painted this picture was in 1520. Another work of art that I will be writing about will be The Last supper by Francesco Fontebasso. He painted this picture in 1762 using oil on canvas. As you can see from both types of arts, that they were both painted on oil on canvas and both have the same subject matter which is the last supper that Jesus Christ had. To both of these painting’s in person, you can go to the Royal academy of Arts in London to see the Giampietrino piece and Fontebasso’s piece is found in Museum Fund of the State Hermitage in St Petersburg.…
Both of these art pieces are from different cultures but are from the same time period, so the question that arises is how did these two pieces manage to stay pleasing?…
Vanitas, one of the earliest examples of the still life genre in European painting is the essence of tradition with its unbroken rigid rules and regulations which have since been challenged repeatedly by artists. Often appearing in the works of Dutch and Flemish Old Masters of the 17th century, the painted objects are symbolic. The allegorical still lifes carry a philosophy; warning the viewers of the transience of human life, beauty, power, wealth and the insignificance of material achievements. They are often dark in lighting and colour, featuring skulls, burnt candles, decaying flowers, fallen crowns and jewels. In contrast to the calculated layers of symbolisms and meaning of a typical Vanitas, Tom Wesselman’s ‘Still Life #30’(1963) like his other Still Lifes uses everyday objects that are chosen for aesthetic merit rather than a deep and meaningful critique on social and cultural patterns. Composed of a table laden with images of fresh and packaged food, balanced by a pink refrigerator door, replica 7-Up bottles, and a window with a view to the city, ‘Still life #30’ is one out of a series of works featuring magazine cut outs collaged onto the surface of the painting. With a care for composition Wessleman combined objects, colours and textures. The painter, sculptor and printmaker, never embraced the label of pop artist and gradually moved away from the subject…
This paper will discuss the formal aspects and the museum presentation of the following two pieces: first the Bronze statue of Artemis and a deer from Greece during the 1st century B.C- 1st Century A.D during the Late Hellenistic period, and second Demedji and Hennutsen from Egypt during 2465-2438 B.C. The Bronze statue of Artemis and a deer is located in the Northern end of Gallery 162, which contains Greek and Roman Art. The statue of Demedji and Hennutsen is located in the Southern end of Gallery 103, which contains Egyptian Art from the Old Kingdom Dynasties.…
One example of Willem Van Aelst’s vanitas work is the Vanitas Flower Still Life. It is an oil on a canvas and can be found today in the North Carolina Museum of Art. This painting uses cool and dark colors. It is asymmetrical. Its subject matter includes the following…
Although both pictures are of still life objects, they way in which they have been painted are quite different and therefore give the viewer quite different experiences.…
Since the age of thirteen, I have always wanted to be involved with art in some way or…
On my final project the mediums I used were color pencil, oil pastels, chalk pastels, and paint. My intent was to make the entire mediums blend together to look as one medium was used, though I struggled a bit. If I had the opportunity to rework any piece I would have made the main medium color pencil instead of chalk pastel. I would like to change this because the color pencil is more detailed, and I found it cleaner and easier to use. Also, I would’ve changed the chalk pastel by making it more detailed like the colored pencil area.…