At the beginning of Act 1, Russell has chosen to show the final scene right at the outset of the play, this being a dramatic device to change the way in which the audience view and enjoy the play; from making assumptions of the ending, to seeing how the ending is achieved. The play starts with no-one on stage, the scenery representing a section of a working-class, with the city of Liverpool at night in the background. Tense, woodwind music begins, and the lights turn red, to cause the audience to immediately establish that something bad is going to happen. Then music’s volume then increases, to sound like loud, organ-played funeral music, playing the introduction of the song ‘Tell me it’s not true.’ The lighting then turns blue, and the cast start to sing harmoniously, gradually filing onto the stage to form a semi-circle around two stretchers to which Mickey and
At the beginning of Act 1, Russell has chosen to show the final scene right at the outset of the play, this being a dramatic device to change the way in which the audience view and enjoy the play; from making assumptions of the ending, to seeing how the ending is achieved. The play starts with no-one on stage, the scenery representing a section of a working-class, with the city of Liverpool at night in the background. Tense, woodwind music begins, and the lights turn red, to cause the audience to immediately establish that something bad is going to happen. Then music’s volume then increases, to sound like loud, organ-played funeral music, playing the introduction of the song ‘Tell me it’s not true.’ The lighting then turns blue, and the cast start to sing harmoniously, gradually filing onto the stage to form a semi-circle around two stretchers to which Mickey and