Italian artists during the fifteenth-century were part of a movement formally known as the Renaissance. Altarpieces were crafted for religious purposes and served as individual or communal devotional pieces. They commonly depicted scenes from classical antiquity. Neri di Bicci’s first important commission, The Assumption of the Virgin (1455-1456), was an Italian altarpiece. It is composed of numerous recurring forms and lines that serve to unify the composition. This results in the spiritual bridge between the divine and the natural world. The altarpiece was commissioned for the Spini family chapel, in Santa Trìnita, Florence. During this time, notable families, such as the Spini family, dominated the political scene. They had chapels dedicated to their family name and commissioned artwork to fill the spaces.…
The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…
In this artwork attributed to Luca della Robbia made in 1460-70, Virgin and Child with lilies depicts Mary as the mother of God, instead of the queen in heaven, and emphasized the maternal side of Virgin and the human nature side of Christ. As one of the most popular devotional subject, it conveys the purity and virgin statues of Mary through symbolic pattern such as lilies and a suggestion of Virgin Mary’s perpetual virginity through the annunciation angels, which Virgin Mary born Christ the child without sin, to present the holy spirit of Virgin Mary and, therefore, evoke devotions to Virgin Mary. In addition, when comparing to Giotto’s Ognissanti Madonna in the Ognissanti Church in Florence, this relief shows us a shift towards naturalism in its depicting of Virgin and child, as well as presenting of space and colors, which fits into Vasari’s description of an naturalism art development trend. Finally, due to the size of the artwork, I suggest this piece of work was for domestic use, instead of for public devotion in churches. I also suggest it might was made to hang exteriorly on the wall near a garden due to its durable characteristic of terracotta and the subject depicted as Virgin and Child in nature.…
In the Renaissance era, many painters were commissioned by wealthy individuals, such as bankers, to create a piece for them. This was the case in 1475 for the piece Adoration of the Magi. This was one of seven versions done from artist Sandor Botticelli. The genre of the piece is of a religious essence. The Adoration of Magi is a scene were wise men come to see and bring gifts to Jesus. The pigment used in the painting was tempera, which is a water-soluble pigment. The piece was painted on wood. The painting is now housed in Uffizi Gallery, in Florence Italy.…
Not all artists use characters or gods which symbolize beauty and fertility in their masterpieces, although Botticelli certainly did in his piece La Primavera. Botticelli, an artist during the early piece of the Renaissance, was an artist unlike any seen before. Botticelli was trained under the apprenticeship of Filippo Lippi, who was a famous Medici, or a member of a political dynasty or family with much power during the Renaissance. Individualism, classical naturalism, and scientific naturalism were all important aspects of the Renaissance time period, which helped it to differ from the previous Medieval times. Botticelli’s artwork, especially La Primavera, was very individualistic, which set him apart from the other artists that came before…
The Birth of Venus was the first big painting done on a canvas during the Renaissance in Florence. Botticelli made his own pigments which added a lot of brightness and to his paintings. This made his canvas painting have the freshness of frescoes. The proportions of the figures show exaggeration which makes the painting look mythical (“Birth of Venus”)…
1. Botticelli: One of the leading painters of the Florentine renaissance, developed a highly personal style. The Birth of Venus…
Summary: Sandro Botticelli came from an artisan class, but not much else about his child life or his family is known. He painted many versions of the Adoration of the Magi, and had two paintings that everybody knows him for Primavera and The Birth of Venus. Botticelli has never surpassed his Birth of Venus drawing. Feminine beauty is a huge part of Botticelli’s classical and religious paintings. He was eventually overshadowed by Leonardo making his paintings look old-fashioned. The can create a sense of realism, but is more concerned…
One area where Renaissance artists expressed their interest in human nature was in paintings. First compare the picture of the Madonna with the Renaissance painting of the Mona Lisa. Leonardo da Vinci showed a woman as she really looked. He used shading, natural folds in clothing and human expression to paint a person. This is very different from Buoninsegna’s painting. He painted a statue. The face has few features, and is 2 dimensional. The child looks like a little man, and he uses religious symbols to portray emotion. Leonardo da Vinci’s painting of the Mona Lisa demonstrates the new Renaissance idea of human nature because it illustrated a shift from the use of symbolic representation to convey and idea to the use of human emotions or recognizable scenes. It also shifted focus from religious figures to the individual in a natural setting with greater realistic detail.…
There are many differences between Northern renaissance art and Italian renaissance art. They are quite different. While Italian renaissance art tended to show the body in an idealistic way, Northern renaissance art hid the body. The art was very realistic, but drapery hid the body in a medieval fashion. That makes one major difference between the two: Italian was classical and Northern was medieval. Northern art had an immense amount of symbols in it. A good example of Northern art is the Merode Altarpiece, painted by Robert Campin in 1425-1428. In this piece, there is an incredible amount of symbolism, it is painted in a medieval style (drapery hides the body, etc.), there’s a tremendous amount of detail put into it, and perhaps one of the most defining features of it is that it has got the patron in it. Since it was commissioned by someone besides the church, they wanted to be put in the piece of art that they paid to be painted. The patrons of the altarpiece appear on the far left side, as if they were part of the scene itself. Now we have Italian renaissance art. Some defining characteristics of it are that it is very classical (drapery tends to cling to the body, revealing the perfection of all the idealized bodies), they used plenty of linear perspective (whereas Northern art was more medieval, so they didn’t much care for that), they liked using illusions in their work, and they didn’t have patrons in their work because the church usually commissioned all the art. Botticelli’s Birth of Venus is a good example of Italian renaissance art. It not only has tons of drapery clinging to the female’s bodies, but it also has a nude person, common in classical art. This piece shows no particular patron, and so we can assume that it was commissioned by the church.…
One must take careful consideration before acting, because the aftermath can lead to a chain of events whose consequences can be disastrous. Nino Ricci’s Lives of the Saints is an excellent example of how the consequences of a person’s actions can affect everyone around them, including themselves. First, Cristina makes several choices throughout the novel that not only reflect her thoughtlessness, but her inability to see that it affects people beyond herself. The repercussions of Cristina’s actions demonstrates that she is not aware that her actions bring with them broken relationships that are beyond repair. Cristina’s value system is distorted as she is not looking at what is best for her child but rather temporary satisfaction for herself.…
Vocabulary: converses, hermanades, Renaissance, oligarchies, signori, commune, popolo (what did they want?/what was their condition?), humanism, secularism, individualism, Pragmatic Sanction of Bourges, infanticide/foundling hospitals, Medici Family (how they got their wealth),…
The Birth of Venus is a masterpiece created by Sandro Botticelli in the year 1482, this masterpiece was created during the renaissance era. The Birth of Venus depicts the Greek goddess Aphrodite which later on was adapted by the Roman in their culture as Venus. The Birth of Venus was commissioned by the Medici Family which was a very influential family during the Renaissance. Differently, from artwork from previous eras Botticelli did not create a piece of art that represented a Christian legend but instead, he created a piece of art inspired by an ancient myth from the Greek and Roman Era. The Birth of Venus is a masterpiece that was only able to be created due to the Renaissance…
Sandro Botticelli’s, The Birth of Venus, and Titian’s, Venus of Urbino are two paintings featuring the female nude, Venus as the main figure of the paintings. She is a classical representation of beauty and sensuality. Although these paintings have similar attributes such as the use of linear perspective, chiaroscuro, and their similar period style they have different hidden meanings. The Birth of Venus shows the story of how Venus came to be and portrays different gods and goddesses while in The Venus of Urbino, it is more of an allegory for marriage.…
* Boticelli implies time and motion have occurred with the way the figures are slightly angled towards each other. Venus’ hair is drawn so that it looks like it is blowing in the wind as she has emerged from the water, while the woman that is standing on land waiting for her is leaning towards her as to cover her with the cloth that she is holding and her feet are positioned so it shows that she is walking. The Angels are drawn to show that they are flying towards the goddess as if to welcome her.…