The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.…
Humanism, during the Renaissance period not only involved the study of ancient culture, but it also instilled a sense of respect towards human beings. Many artists at the time focused on the beauty and elegance of the human body. One of these artists was Michelangelo, a sculptor and painter. One of his most famous pieces of work was “David”, a 17 foot tall statue of a man. Michelangelo focused on making the statue as realistic as possible, in order to capture said elegance and beauty. Also, due to the context of the statue being directly after David had slain the goliath, Michelangelo chose “David” to be in a victorious pose. This…
This Biblical character is the subject of Donatello's famous nearly life-size sculpture (and the first free-standing statue of a nude figure since Roman antiquity).…
When approaching gallery 166 at the Metropolitan Museum of Art, I couldn’t help but notice the magnificent sculpture of the “Bronze statue of Camillus (acolyte).” As I began to study some background information on the early Imperial period of Roman culture, one would learn that there was an evident revival. The Romans were building at a fast pace and religious sacrifices were becoming more common. Throughout this Roman period, a Camillus (male) or Camilla (female) was the freeborn child of the religious cults officiant. These young boys were selected to serve during religious ceremonies where sacrifices were customary.…
The marble statue of Diadoumenos is a copy of the original bronze statue displaying a young man tying a fillet around his head. The original was created in c.a. 430 B.C. by a man called Polykleitos of Argos. Polykleitos was a Greek sculptor who worked during the mid-fifth century B.C. . he was one of the most famous artists of the ancient world. Polykleitos' figures are carefully designed with special attention to bodily proportions and stance. The statue of Diadoumenos has its thorax and pelvis tilt in opposite directions, setting up rythmic contrasts in the torso that create an impression of organic vitality. The position of the feet, (poised between walking and standing), give a sense of potential movement.…
Michelangelo and Verrocchio both have incredible artistic talents and show it in each of their David sculptures, yet they both convey a different meaning of David in their own ideal and using their own medium. Michelangelo and Verrocchio both represent David in different ways through the meaning they convey, the skills and techniques they use, and the beauty that they each portray . Michelangelo and Verrocchio are both artists from the city of Florence, Italy. In this piece both artists were trying to portray the biblical scene of David fighting Goliath, and winning. Their backgrounds have a major influence on the way they…
Figure 2 shows one of the bronze artifact that has been submitted to several chemical–physical characterizations : a bronze plate, found in the Tepe sofalin at 79cm depth. The bronze artifact has been found in a better conservation state with respect to the artifacts buried near the surface, that often affects the mechanical properties of the bronze archaeological artifacts. Intergranular corrosion phenomena are related to intrinsic metallurgical features, whose formation is induced during the manufacturing of the artifacts carried out in ancient times by repeated cycles of cold or hot mechanical work and thermal treatments.…
I am comparing Bernini’s David of the Baroque era and Michelangelo’s David from the Italian Renaissance. Michelangelo was considered the greatest living artist in his lifetime, and ever since then he has been held to be one of the greatest artists of all time. He was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Michelangelo’s David was a masterpiece sculpture, created between 1501 – 1504 that is a marble statue, of a standing male nude. The 17 foot statue was placed in Galleria dell’Accademia, Florence. The statue represents a Biblical hero named David, after he made his decision to fight Goliath but before the battle has actually taken place. A moment between conscious choice and action. Gian Lorenzo Bernini was an Italian artist and a prominent architect who worked principally in Rome. He was the leading sculptor of his age, credited with creating the Baroque style of sculpture. Bernini’s David is a life-size marble sculpture, created between 1623-24, located in Galleria Borghese, Rome. This statue represents the biblical David, about to throw a stone at Goliath, which will allow David to behead him. The biggest difference in the two sculptures is the moment represented. Michelangelo chose the moment before the fight while Bernini chose the split second when David is launching the stone from his sling. Bernini’s body is violently twisting bursting with energy while Michelangelo had stored in his figure. Bernini has literally created an event frozen in time during the fight and Michelangelo’s was before the fight. The statues are similar because they both were innovative with respect of the ancient tradition that created works that were perfectly balanced, but not as perfectly evocative. The statues represent the same character, the David who beats Goliath, and they both embody the ideal of male form in a natural setting rather than posed.…
Two ancient civilizations were separated by almost four-thousand miles and the Mediterranean Sea, yet still seemed to produce two incredibly similar and magnificent works of art. If that is not a worthy feat in itself, the two works of art were also created almost two-thousand years apart from each other before the two civilizations had any sort of major contact with one another. The similarities of the works, despite the time and distance, suggests that Ancient Egypt had more of an impact on Ancient Greece than was previously understood. By looking at these two works of art, a deeper understanding of the relations between the civilizations will be gained and explored in more detail.…
Donatello’s David differs form Michael Angelo’s in that it is probably a more realistic depiction of what David actually looked like. David was young and inept in comparison to the soldiers who fought in the battle at Jerusalem. That’s why his defeat of Goliath was impressive. Donatello’s sculpture of David is a bronze sculpture of a young boy, he even looks a little feminine, standing on top of Goliaths head with an assured expression on his face. Donatello’s sculptures…
Therefore, “David,” is a fit symbol of courage and civic duty to guard the city. Standing 13’5″ tall, the double life-sized David is depicted patiently waiting for battle, prepped with slingshot in one hand and stone in the other. Michelangelo, in his mid twenties, carved the David after he had already carved the Pieta in Rome. He carved this sculpture from a huge block of marble that had been abandoned decades earlier by another sculptor: Michelangelo took on the challenge of living up to Donatello and other precursors who had sculpted the same heroic figure. Instead of creating David to look relaxed and confident after his victory, Michelangelo's David looks tense and ready for combat. His brow is furrowed, the tendons in his neck are taut, as are the muscles in his nose and lips, and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed “contrapposto” position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself. The statues hands and head appear to be disproportionally large for his body, possibly because they were deemed more visually important for viewers who would see the statue high up…
Donatello’s and Michelangelo’s David are similar in many ways. Both sculptures being from the Renaissance, they share some characteristics in form. Each artist positioned the body of David in the contrapposto position. Their bodies are curved, relaxed and shown in the nude. This reflects the popular style of sculpture of the culture and relates the ideas about the human form. Donatello’s David is different from Michelangelo’s most in the physical attributes of the body. Michelangelo’s David has more of the sculpted bodies of the Greek gods. The sculpture is muscular, mature and his physical beauty is not to be overlooked at. Donatello’s David has the body of a young man still developing into his body. Instead of appearing strong and confident, David appears to have a young boy facing a task much harder and larger than him.…
What is regarded as definite step in Renaissance taste is Donatello's statue David. The statue is the first freestanding nude since Roman antiquity. According to an analysis by Professors Lawrence Cunningham and John Reich, Donatello wanted to show the beauty of David's adolescent form wearing only greaves and a shepherd's hat (Cunningham 12).…
In this essay, I’m going to compare and contrast sculptures of a biblical hero character…
When thinking of sculptures, one of the first that comes to mind is David. This statue was created of marble between 1501 and 1504 and stands over 14 feet high. David is a symbol that represents strength and anger. The statue had intended political connotations for the ruling of the Medici family. Michelangelo used David as model of "heroic courage" to demonstrate that "spiritual strength can be more effective than arms". Michelangelo insisted that David should stand as a symbol of the republic and act as a warning that Florence shall be governed justly and bravely". This was the first time since antiquity that a large nude statue be exhibited in a public place.…