In the early history of the film industry, it was several …show more content…
Just as the technological innovation of sound and color had allowed audiences to invest themselves in a story, the Classic Hollywood Style additionally allowed the audience to become engulfed in a story. The goal of Classic Hollywood Style was to stay invisible--as in, the camera angles, background sets, and general cinematography ought to have been good, but not so good as to capture the audience’s attention; the point was to transport the audience into the movie world and distance them from their lives (“The Hollywood Style”). One exceptional example of this style is the movies Wizard of Oz. Not only did this movie utilize sound and color, as well as the classic plotline of ‘a journey home,’ but it also accomplished the goal of the Classic Hollywood Style; Wizard of Oz uses fantastical backgrounds and special effects that truly transport the audience to Oz right along with Dorothy. American films were popular, aiding in America’s rise to dominance, because well-executed Classic Hollywood Style movies told their stories in a way that allowed audiences to distance themselves from their lives and any problems they might’ve …show more content…
American inventions, patents, and trusts in early cinema history quickly escalated the U.S.’s position in film production. America’s move west to California and its status as an immigrant nation also brought filmmakers from other countries in their attempts to make names for themselves. Not only that, but America’s innovations in sound and color, as well as the Classic Hollywood Style that allowed audiences to distance themselves from their lives, created a nation in which the popularity of films surpassed that of other nations’. Lastly, both the Studio System and the Star System lured the world’s best talent, whether they belonged behind or in front of the camera, to America. Essentially, America has, one way or another, always been able to draw in the best minds of the film industry, making it the dominant film producing nation in the