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If We Must Die - Claude McKay
By: Pamela Atkins
Poetry Claude McKay "If We Must Die" One of the most influential writers of the Harlem Renaissance was Jamaican born Claude McKay, who was a political activist, a novelist, an essayist and a poet. Claude McKay was aware of how to keep his name consistently in mainstream culture by writing for that audience. Although in McKay's arsenal he possessed powerful poems. The book that included such revolutionary poetry is Harlem Shadows. His 1922 book of poems, Harlem Shadows, Barros acknowledged that this poem was said by many to have inaugurated the Harlem Renaissance. Throughout McKay's writing career he used a lot of dialect and African American vernacular in his writing, which was rather controversial at the time. Writing in dialect wasn't considered proper for writing formal literature. For this paper I chose the poem "If We Must Die", one of his strongest political poem included in Harlem Shadows. The subject matter that McKay writes about is confrontational. Even if McKay used classical poetry techniques to write "If We Must Die". McKay used the poetry technique of the sonnet by using the 13 lines and 1 last line in the end. In "If We Must Die" McKay uses rhymes, and metaphors to associate and personify the poem. Using these techniques the audience can identify with the writer and the poem itself. The poem at first seems to have been written for a black audience but then it grew tremendously for a wider universal audience. This poem spoke to anyone and everyone who was being oppressed or in a situation that they weren't in control of. This poem was for anyone who is or was put to death. This poem showed that everyone deserves a noble death, a death of honor and respect not to be beaten and treated like an animal but like a human being. "If We Must Die" was first published in the Liberator in 1919. Then in his compilation of poetry Harlem Shadows in