about to rise but most likely the prior because of the amount of people present. The trees have almost no green on them to signify that the time was during the winter season. Almost no detail is put into the buildings, roads and people. It basically captures a scene of the hustle and bustle of French life. Applying very little detail, Monet uses quick brushstrokes to create the "impression" of people in the city alive with movement. This is to signify that the place and the even did not really matter, it was more about the undertaking and feeling one would get from being present during this time at that place. The painting ultimately looks like a sketch because the painting had to be done extremely quickly to capture fleeting moments and moods. Thus, there was no actual finish. The viewer has an elevated stance on the scene giving the feeling as if were watching life pass by. This style of painting offers a stark contrast to the photography that was introduced only a couple of decades ago. The Boulevard des Capucines is an actual street in Paris, France and looks almost the same as it did a century ago.
Claude Monet had created the painting for himself and was trying to see the difference between it and the actual photographs that he took in his studios. However, the underlying cause of this is because he and a bunch of artists had been rejected from the Académie des Beaux-Arts due to their style. Thus, he along with other artists who had also been rejected, formed a society for themselves that had private exhibitions. The first exhibition that he had included this painting and another famously known painting, the Sunrise. Monet created two copies of this painting but it is not sure which one was the actual painting featured in the
exhibition.