Cited: Cather, Willa. Coming, Aphrodite! New York: Penguin Group, 1999.
Cited: Cather, Willa. Coming, Aphrodite! New York: Penguin Group, 1999.
In A.B Yehoshua’s novel,The Lover, a chain of first person monologues are described. These monologues are set up in a mixture of flashbacks and conflicts that the characters undergo. This unique structure gives the novel a special meaning towards its description of the characters, and the story itself. For example, the character Asya is described to be a very hardworking independent woman. But, she has a odd relationship with her husband, Adam, who is a diligent man in charge of a successful mechanics garage. Throughout the story Adam and Asya never, hug never kiss, and they barley speak to one another. Meaning that this structure lets The Lover symbolize the loneliness and insufficient amount of recognition towards each of the characters.For instance, Daffi, the daughter of Asya and Adam, is a teenage girl in lack of attention. So, because of her parents barely paying any type of attention to her, she spends her time wandering the streets most of the day trying to keep herself productive by either stalking people or just walking around. After awhile,she then begins to connect with her fathers worker, Na’im, who also is alone and has no attention from anyone, and in the end they both fall in love. This basically shows how this novel details the meaning of loneliness and the importance of love.…
The tale of forbidden love binds itself within many famous works of literature in order to provoke the human mind into situations similar to those of Adam and Eve of the Bible. The “forbidden fruit” plays an important role in the books of Ethan Frome and Jane Eyre in the form of unattainable but beloved women, where two men, Ethan Frome and Mr. Edward Rochester, share common distinguishable attributes. Their serene sensitive nature soon explodes into a passionate cause, later revealing a bare, desperate soul that longs for their beloved “forbidden fruit.”…
Aphrodite of Knidos (Figure 1) was a revolutionary sculpture in terms of Grecian art, as it inspired many artists in the future to attempt to capture Aphrodite’s beauty and sexual ambiguity in the nude. Initially commissioned to be created by Praxiteles for a temple on the island of Kos, the sculpture was bought by Knidos. This was due to the fact that it had been severely rejected in Kos, caused by the exposed nature of the goddess. The sculpture itself, in the way Aphrodite was presented, began to symbolize different aspects of Aphrodite’s personality and divinity. Thus the sculpture by Praxiteles became the foundation for later female nudes and began to change the Grecian perspective of the nude female taboo.…
The Gods and Goddesses of Greek mythology have gained their fame based on their own roles within Greek culture, and have been attributed to becoming the God or Goddess of a specific concepts, objects, or personal talents. Basing his novel mainly on this idea, Riordan forms a world within the novel, where the behaviors of characters refers to the titles or powers of certain Gods or Goddess. Specifically the Goddesses of Athena and Aphrodite, Riordan steadily allows the put down of Aphrodite and raises Athena on a pedestal. Aphrodite, the Goddess of Love and Beauty, is seen to represent the old fashioned mindset of women as being only figures of physical beauty and having little to no role in society. Shown by Percy’s calm tone and attitude in…
Adonis, of course, draws a very fine distinction between the words, concluding several stanzas of comparisons with the twin declarations, ''Love is all truth, lust full of forge` d lies.'' Yet Betsey notes that this distinction is not played out in the rest of the text, with love and lust used interchangeably to describe Venus's emotional state. Betsey states, ''The emergence of a radical distinction between the two--a process inadvertently encouraged, as it turns out, by the voice of Adonis--marks a moment in the cultural history of desire which . . . has proved formative for our own cultural norms and values.'' That is, in modern times, love and lust largely have precisely the connotations that Adonis assigns them. Betsey draws on a wide variety of sources to show that at the time of the publication of Venus and Adonis, lust quite often had perfectly positive connotations, as associated and coupled with virtuous ''true love.'' The years afterward witnessed a gradual shift, such that ''by the mid-seventeenth century the term had acquired a primarily sexual and strongly pejorative…
Graham Greene uses his novel The End of the Affair to show that erotic love is truly the strongest human expression of the innate desire for God. Greene uses the fictionalized tale of his own real life affair with the beautiful Catherine Walston to examine the relationship of hate to love, of physical to spiritual, of holy to tainted, and of erotic love to divine love.…
Thanatopsis clearly displays qualities of romance to show how he wants the reader to actually feel how he felt when he was writing this poem. In Thanatopsis, it reads: To him in the love of Nature holds Communion with her visible form, she speaks (Lines 1-2). This overwhelmingly shows his romance with Nature, by having William Cullen Bryant describe how he feels with the different forms of nature. Nature to him, is a girl that he has feelings for, and cares about.…
The Romantic Marriage “thrives on the spark of love that never dies.” In Loh’s essay the romantic marriage is not really a type that can stand all along, it is instead an ingredient that helps the growth of any relationship; and a good judgment of whether the fondness and the interest level is solid and strong or needed some enhancement; It is also the on going process of mutual love progress for one another, not for a moment but perpetually. Loh mentioned that, “I had an entirely manageable life and planned to go to my grave taking with me, as I do most nights to my bed, a glass of merlot and a good book”. Basically she’s saying that the absence of her husband’s romance in her marriage has been replaced by a glass of merlot and a good book most of the night. Romance, in any “good relationship,” should be identifying at any time. However, the romantic marriage, finds its way into Harris’s essay; she describes a couple that believes their relationship is very romantic besides the “trek” on how long it takes them to see each other. Peter Horan 27, and his girlfriend Afton Vermeer 25, feels connected besides the fact they live 14.35 miles apart a distance according to the passage that can be done in 20 minutes drive, yet it takes them three subways and an hour…
Romantic poetry is a type of poetry in which one unifies himself with humanity and nature. The era of the romantic poets (1790-1830) produced the substantial characteristics of ideal romantic poetry that still ring true today: nature, humanity, sublime, grotesque, and other aspects as well. Henceforth, when further poets began writing poetry, inspiration and ideas were pulled from the numerous aspects of romantic poetry. One inspired poet, Mary Shelly, took inspiration from her previous romantic poets, and wrote her very own book (using the fundamental aspects of romantic poetry, Frankenstein. In Shelly’s book, there are wide arrays of factors of romantic poetry that make her book come to life and her character’s as well.’…
Since the beginning of time, love has been a concept that always fascinated those who were blessed with a literary talent. Love was also inter-tangled with religion, and it took many years to break free of that association. In a predominately male society, women were represented in literature by the only female role models at this time; Mary or Eve. The Mary was an unrealistic role model because she symbolized motherhood and purity. Eve was an evil interpretation of women, as she damned humanity by tempting Adam to eat the apple. Eve is seen as the reason that human’s mortality. This mortality caused fear amongst the citizens of the early sixteenth century, and authors sought to immortalize their love in poetry. These poets could not truly write about love after the end of the medieval age because of their fear of death and religious ideologies. Poets used literary techniques such as hyperbole to exaggerate their love, making it nonsensical and artificial. One poet of the early modern era parodies the traditional love poems ideals and gives the audience a more modern view. In the poem, “To His Coy Mistress,” Andrew Marvell transforms images of time into a symbol of humanity to challenge traditional love poetry as it existed in this age.…
The similar portrayal of romantic courtship along with its process in the Tale of Genji and the Tales of Ise could be rooted in the cultural context of the Heian period. A common motif of love poems and romantic tales of the…
The story presents an ideal image of romantic love. It shows that true love will prevail no matter what the odds, and it encourages people to believe that dreams can come true. The story encourages an optimistic outlook on life.…
In the beginning the story is sweet, it is really romantic. Especially in the line “The air was soft and beautiful, the sky was darkening by slow degrees from blue to the calm and lovely violet of dusk” (p.175, ll.2-4) In this sentence there is a complete love story, and you expect something lovely to happen later in the story. There are told about all those little shops, and all those happy people, the reason there are giving, is that it is spring time and everyone is in love. But the story does not continue that way in the line “It was getting darker now … could he have been mistaken?” (p.179, ll.41-42) the story is completely devoid of painting words, and beautiful scenes. He has gone into a narrow lane with garbage cans to meet whit his girlfriend whom he brings flowers. One starts to fell the creeps, and you know the story cannot end well.…
his lover’s beauty. Every other poem of this time period made women out to be superficial,…
The second story, The romantic, was written by Patricia Highsmith and was published in 1983. It is about the personal and social life of a middle aged woman. This story is located in New York City, where Isabel, the main character, lives and works for a company as a typist. The author mentioned many areas from New York, such as Central Park, the Metropolitan Museum, Brooklyn, Manhattan or Queens. Isabel is an only child and an orphan and what she used to do was reading romantic novels, that is the reason of the title. Loneliness is present during all the story and suffered by Isabel.…