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Comparing The Japanese Footbridge And Water Lily Pool

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Comparing The Japanese Footbridge And Water Lily Pool
III. Both paintings, Landscape with a Wooded Road and The Japanese Footbridge and Water Lily Pool, have a few similarities and differences. They share the same use of medium and effects of different techniques. However, they have different designs, messages, influence of environment or experience, and influence of history and culture.
A. The medium both Meindert Hobbema and Claude Monet felt best will fit their piece is oil painting. The medium in which an artist produces his or her work can range from water color, pastel, stained glass, oil, tempera, textured paint, etc. Oil contains a mixture of binder, which is an agent that holds materials together. These paints develop a particular consistency that the world of art began to love. Hence,
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The Japanese Footbridge and Water Lily Pool was designed very different from the previous painting. It is painted in a way where it looks like a sanctuary you would dream about. Since this painting is inspired by impressionism style, focusing on the beauty of the painting through colors and brightness. The brush strokes seem deeper where if you touched the painting it would have bumps on it. Also, it is painted where it's like a vivid image of the scenery. For example, the leaves on the trees are painted in a way where you can only see an outline of the leaves bunched up together. Another example is the water, where the water is reflective but the water lilies look scratched on in a way.
D. Meindert and Monet had different intentions of making their paintings, therefore giving off different messages.
1. Meindert Hobbema was mentored by his uncle to paint with the baroque and landscape movement, so Meindert focused on capturing the image of Dutch landscapes. He focused on the rural parts of the Netherlands and wanted to give the message of the life as a simple person who lives in the rural areas.
2. Claude Monet moved to Japan a few years before he painted numerous impressionistic paintings as he wanted to break away from the European ideas of art. Using his back yard, he painted numerous paintings based on the colors and brightness of the scene. He wanted the viewer to see the beauty of the scenery through the variety of colors and directions of light to enhance the

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