The rift between Raskolnikov and the rest of society is introduced when he first describes his “extraordinary man” theory. Raskolnikov develops his theory during a specific time when he has isolated himself in his room to contemplate solutions to his life problems. Raskolnikov studies how other “great” men in history have solved their problems. He points out “that the majority of those benefactors and guiding spirits of mankind were particularly fearsome bloodletters” (309). Napoleon is specifically referenced. Raskolnikov believes that some men, like Napoleon, are “extraordinary,” or above the moral rules that govern the rest of society. As a result, “great” men, similar to Napoleon, are entitled to do as they please. As Raskolnikov considers committing murder, he justifies this behavior saying, “One death to a hundred lives…the old woman is harmful. She’s wearing another person’s life out” (80-1). Raskolnikov believes that he fits in this “extraordinary” category, therefore making it acceptable for him to murder Alyona, the common pawnbroker. He believes himself to be a “great” man, acting for a higher purpose beyond conventional moral law. This theory proves to be inaccurate, thus creating the breach between Raskolnikov and society’s views of acceptable moral behavior.…
The first meeting between Svidrigailov and Raskolnikov was made of a peculiar conversation about the existence of ghosts. The opening moments of their conversation demonstrated how they are unnervingly alike. Raskolnikov tells Svidrigailov out front that “You should go to a doctor” (Dostoevsky, 289), due to his presumption that Svidrigailov is a mad man. Irony is at play here since Raskolnikov is currently ill himself and suspected of being on the verge of madness due his exhibited deranged behavior. Raskolnikov’s deranged behavior is detectable though his violent mood swings and unstableness of his thought process. Svidrigailov himself also exhibits similar deranged behavior that Raskolnikov demonstrates by overlap of his thoughts such as talking about a voyage one minute, forgetting about it the next. This peculiar conversation regarding existence of ghosts demonstrates an acute alikeness between the deranged behavior that the two men who are both murders in disguise.…
To begin, St. Petersburg serves as a symbol of the corrupt state of society and its influence on Raskolnikov’s actions. For instance, in the first pages of Crime and Punishment, Raskolnikov describes the atmosphere of St. Petersburg as “terribly hot [...] with an intolerable stench from the taverns, especially numerous in that part of the city, and the drunkards kept running into even though it was a weekday, completed the loathsome and melancholy coloring of the picture” (Dostoevsky 4). In this case, the imagery of the dirty and disorient city of St. Petersburg is a symbol for the current state of society; imperfect, unequal, and full of corruption. The dysfunctional society of St. Petersburg clearly takes a toll on Raskolnikov, as he quickly finds himself poverty-stricken. In a corrupt society where the wealthy thrive and the poor suffer, he has no choice but to resort to crime in order to make ends meet. Similarly, Raskolnikov’s theory of the extraordinary versus the ordinary serves as a symbol of the imbalance of power in society. For instance, social inequality becomes increasingly apparent as Raskolnikov…
When forced to live under such conditions where there is no sight of normality, one such as Raskolnikov may begin to believe that because they are different from most of the society, they are allowed to disobey the law by means of reaching their needs and wants.…
Raskonikov is beginning to think he is going to be caught. When questioned by Porfiry Petrovich he gets denfensive and looks guilty. In his conversation with Sonia he says she will find out who killed her friend soon.…
Rasconikov’s isolated, detached, sneaky and disconnected side is when most of his intellectual scheming goes on. There is never any spontaneous moves when in this state, but more so every action being premeditated. This side of his personality is where he strategizes his theories about crime and how to commit it. Raskolnikov believes that the “extraordinary” are able to be independent, and not influenced by others on the outside, but only being influenced by oneself, being self-sufficient without company or the hand of another, which explains why his intellectual side is very isolated.…
6. Raskolnikov is ‘exposes’ Luzhin’s motives and yet he wouldn’t want anyone to expose that he murdered the pawnbroker.…
“Nobody, but he who has felt it, can conceive what a plaguing thing it is to have a man’s mind torn asunder by two projects of equal strength, both obstinately pulling in contrary direction at the time.” (Laurence Sterne) In Dostoyevsky’s Crime and Punishment, it is this exact miscalculation that leads the protagonist Raskolnikov (Rodya) to his ultimate mental, physical and social demise. Similarly, the theme of the novel directly correlates to Sterne’s quote, as Dostoyevsky delves into the psychology of a criminal, centering the novel on a murder and its after-affects on the transgressor.…
After Raskolnikov confesses to the murder of Alyona and Lizaveta, he is sentenced to eight-years in a prison camp in Siberia, where he is forced to perform hard labor. Despite his confession, he still has not repented for his actions and refuses to surrender his heart, body, and soul completely to God. Even now, he still believes he did not commit anything inherently wrong or sinful. At this point, nothing has really changed significantly other than his environment--simply, same old feelings, just a different place. Due to his pride, he is obsessed with the idea that he is superior and “extraordinary” (249).…
Raskolinikov is able to forgive himself easier once he has the time to reflect and serve his punishment. After committing the crime Raskolinikov eventually accepts that he must suffer the consequences, by law or by his own mental prowess; "If he has a conscience he will suffer for his mistake. That will be punishment - as well as the prison" (Dostoyevsky 230). The human brain dictates that all actions should have either a logical or emotional purpose, Raskolinikov struggles to find a good enough reason and his mind endures the penalty, until he is properly punished and serves out his sentence in Siberia with a quiet mind and a happy ending with Sonya to look forward…
This Written Assignment will delve into the mind of Raskolnikov and show how Raskolnikov’s guilt causes his mental instability. Raskolnikov’s guilt also causes his other physical symptoms. The way Raskolnikov relieves his guilt is by his confession to the police, after the scene in the Hay Market, in which he kisses the ground.…
to prove that he is part of the “extraordinary” people in the world. He wants to become an important figure such as Napoleon. He believes that certain superior people in a society stand above the ordinary human and moral law. Based on his theory the murders he commits would make him a part of this high class. To test his theory, he murders Alyona Ivanovna who is a greedy moneylender. He feels her death is not a great loss to society because she preys…
In fact, he is already paranoid before the murder takes place. He fears that everyone is obsessing over him, whether they are a stranger or someone he knows. Raskolnikov’s planning for the murder revolves around keeping his intentions secret. Other important matters, like cleaning up and escaping, don’t enter his mind until just before the special event takes place. To Raskolnikov, one important part of hiding his intent to commit a murder was keeping his clothing looking like that of an average person. He even scrutinized his accessories: “‘Why, a stupid thing like this, the most trivial detail might spoil the whole plan. It looks absurd and that makes it noticeable...’” (Dostoyevsky 3) Even though a comment from a passerby was what caused him to say this, he is still shown to be very paranoid here. Raskolnikov’s hometown of St. Petersburg is very busy, with lots of people rushing from one place to another. These people probably didn’t have time to gawk at a stranger’s hat. But due to his paranoia, Raskolnikov believes that everyone is worried about him. This incident took place at the beginning of Raskolnikov’s isolation. His paranoia only grows more, especially after the murder. Raskolnikov runs home after killing two women and goes to sleep. When he wakes up, he goes into hysterics because he notices that his socks are soaked with blood, mumbling…
Throughout Crime and Punishment, Raskolnikov's guilt got the worst of him. After the murder, he was called to the police where he overheard conversations about the murder which caused him to faint. When he recovered, he blamed fainting on the paint and hurried home because his guilt made him think "there will be a search at once." (pg 109) Rodya fell ill which was because he had to face a great deal of tormenting guilt. The amount of guilt he had in his heart sparked the meaning of the novel which was a form of punishment for his crime.…
Stemming from his monomania, this dream reveals Raskolnikov’s view of himself as a Napoleonic figure, or as he calls it, the “extraordinary man.” In the dream, Raskolnikov is back at the pawnbroker’s apartment where the pawnbroker is alive and well. He goes through the motions of murdering the woman once again, but when he steps back after hitting her over the head, he sees her sitting on the floor laughing. Deeply unsettled, he frantically tries to strike the woman on the head over and over again but each blow only produces more laughter. Unlike the dream about the horse, this dream does not emphasize who or what Raskolnikov is. Rather, this dream forces him to confront the faults of his belief by completely doing away with his hopes of surpassing mortal mediocrity. All of the assumptions he had regarding his ability to transcend humanity and avoid responsibility are thrown to the wayside by the events in the dream. The old woman derogates and derides Raskolnikov to the point where he cannot successfully assert his will, which is the hallmark of the extraordinary man. Rather than exuding total power and control, Raskolnikov demonstrates a weakness that is intrinsically human. The dream’s deconstruction of Raskolnikov’s self-perception is what enables him to eventually confess to his crime and open up to love at the prison. By essentially destroying his inflated ego, the…