Cultural Differences In American Culture

“They have no central leadership, no master plan, no fixed structures, and no self-representation as a single entity. Their actions as a group are the result of local contacts and temporary synchronizations. These forms of collective performances are responsible for numerous ongoing cultural, social, and political transformations.” (Fischer-Lichte, 2009:1)

It is within this social frame of performative collectives that counter-narratives take form. Such narratives conjure a linear view of history subverting it by disclosing subcultural living. This, unfolds new perspectives on history mediated by a non-commercial musical scene. Art movements always were connected to history’s sociological patterns. Although, tendency was that only the relevant ones - meaning popular and/or commercial - had proper visibility. But art comes from experience and time has come for sub-narratives to have a voice:
It becomes a question of otherness of the people-as-one. The national subject splits in the ethnographic perspective of culture's contemporaneity and provides ... a narrative authority for marginal voices or minority discourse. 150 “From the liminal movement of the culture of the nation - at once up and held together - minority discourse emerges.” (Bhabha, ——: