Contrasting the outside with the inside we can say that the inside takes a more Roman swing and portrays itself as less idealised than the classical greek architecture of the exterior. The exterior is a lost more basic and unadorned with that much detail contrasted with the inside, inside we see an embellishment of decorations including a dome using the so called honeycombing effect also called coffers which allows the building to appear larger than it actually is. The eight niches to the side indicate where the statues would have gone but have since been lost to history. The marble floors contributing to this idea of simple geometry as they are inlaid with coloured granite making circles and rectangles however sadly much of the original marble and bronze which would have been on the originally has been removed particularly due to Pope Urban VII's who ordered the bronze to be melted to help with
Contrasting the outside with the inside we can say that the inside takes a more Roman swing and portrays itself as less idealised than the classical greek architecture of the exterior. The exterior is a lost more basic and unadorned with that much detail contrasted with the inside, inside we see an embellishment of decorations including a dome using the so called honeycombing effect also called coffers which allows the building to appear larger than it actually is. The eight niches to the side indicate where the statues would have gone but have since been lost to history. The marble floors contributing to this idea of simple geometry as they are inlaid with coloured granite making circles and rectangles however sadly much of the original marble and bronze which would have been on the originally has been removed particularly due to Pope Urban VII's who ordered the bronze to be melted to help with