Different Views Of Art
Different views of art
Scale and Proportion
As we all know mountains are huge and in this image created by Katsushika Hokusai the mountain dosent seem to be that big. At this point we percieve that mountain is far off in the distance. This image is called Thirty-Six Views of Mt. Fuji: The
Surface of Lake Misaka in Kai Province and was made in the early 1830's. As the arrows indicate the boat is the same size as the house , but because we are closer to the boat than house we percieve its bigger when in reality the normal mind would know its not the case. This is to be thr exact definition of scale and proportion.
Visual Movement
This historic art work was created by Raphael in c.1517. The movement in this image is fast due to the amount of things going on. When my eyes first laid on this image I knew it was the one to describe this category. I started looking at the where the white arrow, for the simple fact of the importance of Jesus
Christ in the Christian religion. Than the red arrow was next for me as he seemed like the one pulling Jesus as he's the primary image in this art work. And than moved on to the yellow arrow which in more of a recent terms would be a police type person, calming the area as best as he could. The green arrow next is what my eyes immediately went too due to his direct effect on the primary image of the picture. Than the blue arrow came next to me because in the whole artwork i feel like she is the secondary image and was almost as ital in the image as Jesus
Christ was.
Contrast/Variety
This image of Willian Kentridge is the apitamy of contrast/variety. Theres different people in it that represent a lighter and darker shade of color used by this artist, and also thin and thick. This was created between 1980 and 2001 and was called Forswearing Bad Company. As the blue lines will tell you clearly the artist wants more attention given to those me as opposed to the one with red arrows pointing to them.
Because naturally the viewers
Scale and Proportion
As we all know mountains are huge and in this image created by Katsushika Hokusai the mountain dosent seem to be that big. At this point we percieve that mountain is far off in the distance. This image is called Thirty-Six Views of Mt. Fuji: The
Surface of Lake Misaka in Kai Province and was made in the early 1830's. As the arrows indicate the boat is the same size as the house , but because we are closer to the boat than house we percieve its bigger when in reality the normal mind would know its not the case. This is to be thr exact definition of scale and proportion.
Visual Movement
This historic art work was created by Raphael in c.1517. The movement in this image is fast due to the amount of things going on. When my eyes first laid on this image I knew it was the one to describe this category. I started looking at the where the white arrow, for the simple fact of the importance of Jesus
Christ in the Christian religion. Than the red arrow was next for me as he seemed like the one pulling Jesus as he's the primary image in this art work. And than moved on to the yellow arrow which in more of a recent terms would be a police type person, calming the area as best as he could. The green arrow next is what my eyes immediately went too due to his direct effect on the primary image of the picture. Than the blue arrow came next to me because in the whole artwork i feel like she is the secondary image and was almost as ital in the image as Jesus
Christ was.
Contrast/Variety
This image of Willian Kentridge is the apitamy of contrast/variety. Theres different people in it that represent a lighter and darker shade of color used by this artist, and also thin and thick. This was created between 1980 and 2001 and was called Forswearing Bad Company. As the blue lines will tell you clearly the artist wants more attention given to those me as opposed to the one with red arrows pointing to them.
Because naturally the viewers