Dionysiac Mystery Cult From The Villa Of The Mysteries

My personal expression of the Scenes of Dionysiac Mystery Cult, from the Villa of the Mysteries, Pompeii 60-50 BCE. Reflecting on the artwork itself and my interpretation. This astonishing nature of art is a stunning fresco of antique taste and creation which was found in 1909. There are religiously significant, but may not be acceptable by any entities. There is a religious represented symbolized by events in the primitive spiritual world also an enriched combination of religious implication observed from the scenes on the wall. Contemplating on the rites, ceremonies, ordeal of their activity, for the reason that we live in a dissimilar society where it is unrecognizable to us for we are no longer primitive and was lost to us. As in perceiving
the ancient city of Pompeii and their practices which the fresco had vanished under volcanic ash we are able to see what we interpret about their society.
In the scenes of Dionysian Mystery Cult, from the Villa of the Mysteries, Pompeii 60-50 BCE there are characters in groups together confronting each other, interacting something with one another, some figures are isolated or separated from groups. The figures have numerous different poses which leads to drama in the chamber fantasy realm as if there’s another world beyond the room. The fresco meaning is ambiguous; it might be an initiation of rites into the cult of Dionysus. Consider it’s a religious initiation is for the woman entering women hood or marriage. The customary ritual was to make the privileged girls and get them prepared emotionally for the transition of marriage. Dionysus is admired amongst the Roman woman. Dionysus represented their sensual and spiritual hopes. The fresco has a nature that embodies a psychological state of rebirth and
regeneration. There are many deep, rich colors red, green, purples and blues along with freeze figures.
A woman entering the ceremony with her hand bent on her hip completely clothed. This woman is wearing a veil and could possibly be a bride this could be a marriage to the god Dionysus on the other hand her appearances seems to be pregnant. There is a bare child, a boy reading from a scroll or lurgies rituals at the same time he may be read out loud. There is a seated female behind the bare boy, perhaps a priestess or a scholar; the high persist has her hand on his right shoulder also a scroll in her left hand. In addition to them is lady catering a plate of food as she is walking about. To illustrate the four figures next to catering woman they give the impression of preparing to bath furthermore there is a liquid being dispensed on the tabletop I am certain this is a ritual. There are diverse emotions in this group being seen. The Silenus is in a standing drunken state he is an elder figure identified as a Satyr that are constantly drunk in addition hangs around Dionysus he appears to be playing a harp. Next are two figures sitting the male is playing pan pipes, in addition the female whom is standing gives the impression she is stunned, surprised or in a state of anxiety but, her reaction to something then moving away from it, her left hand is foreshorten her expression looking over to the back while moving away from the mask. A young figure is standing above another Silenus.
The cloak surrounds her physique beautifully as the wind blows into it. The light and shadow are used to produce the volume in the background. Dionysus posture is drunk in an unbridled pleasure state. Observing his body language he sprawled across the lap of Ariadne his mortal lover, his staff is draped over him. Dionysus physique is practically nude his wrap is dropping away. The body language is in a calming sleep, dreaming, drunken, relaxing, and awakening state. Ariadne’s hand is relaxed over his shoulder in intimacy, He is enjoying himself. There is a kneeling figure that is revealing something, maybe food, money or goods fails basket that is under a purple cloth. The female winged figured is looking over her left with a twisted body whipping a woman’s back which is exposed. The woman being lashed her head is down in a lap of another woman who is comforting her. The woman has successful completion of the rite. Alongside them a woman who is nude as well as dancing her drape forms a crescent shape which forms to her body. There is a larger window that breaks up the fresco and the last scene is the completion of the ritual. These three figures on the right have a small angelic figure holding a mirror for the bride. A seated figure that is doing her hair and another standing figure that’s helping her do her hair, maybe for a wedding she could be the bride of Dionysus.