Dionysus with Pan

The chosen art piece, from Roman origin, is titled “Dionysus” and portrayed Dionysus, the god of wine, with his follower Pan. This artwork is a great example of Greek art’s influence in Roman artwork. The main elements of Greek’s naturalistic art, specifically of High Classical period, are rendered beautifully in this piece combined with distinctive elements from verism, unique to Roman art. So, the idealism of Greek art and the individualism of Roman art come together to create an art piece that is divine, mythical, and yet very human and therefore, relatable.
This piece of art depicted the interaction between Dionysus and Pan in a form of sculpture. The sculpture was created from beautiful marble in A.D. 50 – 150. The work is three dimensional and still in excellent shape. There is almost no sign of physical or visible damage on sculpture which is rare because it has been created about two thousand years ago. This durability of the piece must be credited to the sculptor for having engineering intelligence to make the sculpture stay intact for so long. The artwork includes organic and fluid lines because each body feature of Dionysus and Pan is smooth, graceful, and very close to the natural form. The way Dionysus’ left leg is crossed over his right leg conveys that both were just standing and not moving. It is not telling a specific story; rather, it is just taking a moment out of the life of two people which are of a god and his follower in this case. The texture is smooth since it was created from marble. Dionysus’s characteristics of being the god of wine are represented in several elements in this work. The elements include the ritual staff with pinecone head in his right hand that he is known to carry, the wreath of grapes and wines enhancing his beautiful curls, and the wine cup on his left hand. Dionysus is resting his left hand on Pan’s right shoulder. The goat skin on Pan and Dionysus and the tree trunk that both are leaning on convey that they