It is a scene that seems to fade into the mishmash of confusion that accompanies this part of the novel, but it is nonetheless very important. As the narrator lies in his glass enclosed box with wires and electrodes attached all over his body, he is subjected to shock treatment. <br><br>"Look, he's dancing," someone called.<br>"No, really?"<br>..." They really do have rhythm, don't they? Get hot, boy! Get hot!" it said with a laugh. (237)<br><br>This image is almost a perfect match with that of Clifton's dancing Sambo doll. The only thing missing is the huge grin and even that is taken care of with the line, "My teeth chattered" (237) giving us the picture of a grotesque and pained smile. He experiences a burst of anger which I can only assume means that he catches a glimpse of the strings that he is being pulled by and is helpless to do anything about it.<br><br>Our final encounter with a doll occurs again with Clifton's dancing Sambo. At the end of the narrative, while
It is a scene that seems to fade into the mishmash of confusion that accompanies this part of the novel, but it is nonetheless very important. As the narrator lies in his glass enclosed box with wires and electrodes attached all over his body, he is subjected to shock treatment. <br><br>"Look, he's dancing," someone called.<br>"No, really?"<br>..." They really do have rhythm, don't they? Get hot, boy! Get hot!" it said with a laugh. (237)<br><br>This image is almost a perfect match with that of Clifton's dancing Sambo doll. The only thing missing is the huge grin and even that is taken care of with the line, "My teeth chattered" (237) giving us the picture of a grotesque and pained smile. He experiences a burst of anger which I can only assume means that he catches a glimpse of the strings that he is being pulled by and is helpless to do anything about it.<br><br>Our final encounter with a doll occurs again with Clifton's dancing Sambo. At the end of the narrative, while