Doug Aitken’s new media work began in the mid-1990s, during this period he began to use multi-screens to create his device works. For example, he created “Diamond Sea” in 1997, this is his first multimedia work- including two image projectors, a display suspended to the celling and a full-color display, inside the present room, four speakers around the room formed a surround sound of experience. In “Diamond Sea,” Doug Aitken took the audience to the center of a no-fly-zone. This art piece was created with a curiosity when Aitken once look at the map at South Africa, he noticed there was a “blank” dot in the map, at further research, the “dot” turned out to be an area of 70,000 square miles, owned by an enterprise, a fully mechanized diamond mine. The mine was simply named “Diamond Area 1 and 2,” it was isolated from outside world since 1980. Doug Aitken eventually spent one month in the mine area. “Diamond Sea” captured those wire mesh, computer-controlled transmission belt, robotic arm and those monitoring systems looking for intruders. In side this mysterious area, the only sign of life in this place are black wild horses, and piles of piles of graves and moving sand. This work was first exhibited at the Whitney Biennale
Doug Aitken’s new media work began in the mid-1990s, during this period he began to use multi-screens to create his device works. For example, he created “Diamond Sea” in 1997, this is his first multimedia work- including two image projectors, a display suspended to the celling and a full-color display, inside the present room, four speakers around the room formed a surround sound of experience. In “Diamond Sea,” Doug Aitken took the audience to the center of a no-fly-zone. This art piece was created with a curiosity when Aitken once look at the map at South Africa, he noticed there was a “blank” dot in the map, at further research, the “dot” turned out to be an area of 70,000 square miles, owned by an enterprise, a fully mechanized diamond mine. The mine was simply named “Diamond Area 1 and 2,” it was isolated from outside world since 1980. Doug Aitken eventually spent one month in the mine area. “Diamond Sea” captured those wire mesh, computer-controlled transmission belt, robotic arm and those monitoring systems looking for intruders. In side this mysterious area, the only sign of life in this place are black wild horses, and piles of piles of graves and moving sand. This work was first exhibited at the Whitney Biennale