There is contrast between Edwards’s house and the suburbs. This is to contrast Edward’s dark and lonely life and the bright and happy life that the suburbs have. The bright colour of the suburban houses and the dark and…
In this movie, all of the houses are a vibrant neon like colors and the people are wearing bright colored shirts and dresses. People think it would be a nice movie until you see Edward, instead of being bright and colorful he wears all black and his face is really pale. I think burton does this to show that the people are innocent and somewhat clueless but Edward is dangerous and a threat creating a barrier between the town and Edward.…
Burton uses contrasting colors in Edward Scissorhands in order to show how dissimilar Edward is. In Edward Scissorhands, all the houses, cars, and people’s clothing in the neighborhood are bright pastel colors that juxtaposed Edward’s black and white appearance already displaying how Edward does not fit in with the neighborhood.…
Likewise in Edward Scissor-hands, the film begins in a romantic way with an elderly Kim who Edward loved, telling her grand-daughter the story of her relationship with Edward Scissor-hands. The opening scene of Edward Scissor-hands reveals many of the elements associated with the horror genre which are offset by elements of romance and fantasy. Ass the beginning credits toll in and eerie music is played, the graphics of the cast are coloured white on a black background in a font resembling jagged scissor shapes. The motifs of the colours help establish the movie to be of a horror genre. The gothic nature being evidently exemplified with a haunted castle isolated on a hill seen with huge doors, large spiral stairway, cobwebs and disused machines. However the intensity of music decrease creating a more playful and pleasant atmosphere and a few children’s toys strewn remind the audience that it is not just a horror…
At first glance, it would appear that Henry James' "The Turn of the Screw" and Tim Burton's "Edward Scissorhands" have only one thing in common: they are both from the gothic genre. But upon looking closer, one will notice that there are a number of other similar traits between the two. There are noticeable similarities between Edward and the Governess, as well as similarities between Edward and the two children in The Turn of the Screw, Miles and Flora. There are also general themes which the two share - images of a "perfect" society, as well as onlookers who have no control over the situation.…
A dark castle sat on the outside of town still visible from town but too eerie for anyone to dare to go up there. There was a kind lady who cares and loves everyone. Her name is Peg, Peg welcomes Edward to town and gives him a nice place to live. Everyone is impressed by what Edward can do until Kim, Pegs daughter and her boyfriend Jim return from their camping trip. Edward falls in love with Kim the moment he laid eyes on her. Kim is rude and embarrassed at first but once Jim showed Kim who he really was she instantly knew she loved Edward. In the movie Edward Scissorhands, Tim Burton uses costume, color, and set/props to create a contrasting mood throughout the fim.…
Edward is left to also fend himself from an imperfect society, which lays beyond the grasp of his castle that he inhabits. As a result, the innocent being lived a life of no enlightenment in the civilized world, helping make his character that he is today.…
The next text, Edward Scissorhands, is a romantic fantasy film that tells the story of an artificial man named Edward. Edward is an unfinished creation who, as the title suggests, has scissors for hands. After the death of his creator, Edward has lived in a dark and despairing house, alone, for many years. But after a long amount of time, Edward is taken in by a suburban family, and soon falls in love with their daughter, Kim. Now, due to Edward being, shall we say, different, the people of the town are opposed to his presence in their community. But we’ll focus on that soon enough.…
Bram Stoker’s Dracula debuted in Victorian England at the end of the nineteenth century. Not the first vampire story of its time, it certainly made one of the most lasting impressions on modern culture, where tales of the supernatural, horror, witchcraft, possession, demoniacs, vampires, werewolves, zombies, aliens, and monsters of all kinds have become something of a theme in modern art, if not an obsession. Many scholars debate the origin or cause of this phenomenon, yet most agree that culture plays an enormous role in the development of such themes, whether in nineteenth century gothic novels such as Dracula or Frankenstein, or in modern films with gothic leanings, such as The Exorcist or Children of Men. This paper will examine how fantasy and the idea of the supernatural, including the “undead,” is an important underlying fear prevalent in the psyche of humanity, which manifests itself differently, depending on the social or historical circumstances which spawns the creation of that work of literature or film.…
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous.…
Relating to Gothic literature, Gothic films appropriate the subversive shudders of the eighteenth and nineteenth century gothic literature, it has for a century infiltrated popular culture increasingly taking centre stage. Some of the early gothic rock artists adopted traditional horror film images and drew on horror film soundtracks for inspiration. The common characteristics include vampires, ghosts, werewolves, bats, cobwebs, monsters, old dark houses, sublime castles, dungeons, graveyards and secret passages. The vampire embodies both life and death taking the life of others to sustain itself and in so doing living immortally, has been adopted by part of the Goth subculture as a cultural icon. Horror film fans would say that the Goth genre…
Gothic Horror is a term used to depict fictitious work that has incorporated a lot of horror scenes as well as elements of the unreal world, exploring the conflict between good and evil and dealing with the supernatural in some sort of way. The episodic novel Dracula written by Bram Stoker in 1897 and the movie Blade by Stephen Norrington created in 1998 bring to the fore many conventions relating to the Gothic Horror genre despite their vastly different contexts. Gothic elements of imprisonment, eccentricity and death are clearly represented through each of the texts. Stoker and Norrington present these conventions through a variety of literary and film techniques, paying particular attention to character and setting to explore the elements of the genre. Through these interactions, the audience can feel a sense of Gothic Horror in which the composers of the two texts aim to convey.…
Gothic literature can objectively be boiled down to a series of commonalities that are prevalent in some way, shape or form throughout the figureheads of the genre. Themes tying monstrosity to that of bodily deformity, duplicity, desire and degeneracy are deeply rooted in the genres subtext raising many questions regarding humanity as opposed to the humanities. This view is in part, a product of the Victorian era in which this genre thrived. At the time, much study was being conducted in regards to the possible connection between physical appearance and criminality. This created an unnecessary link between the perceived atavistic properties of an individual and the probability of them housing a malicious nature. These perceptions are only further embellished…
A classic gothic novel emphasises fear and terror. It has the presence of the supernatural, the placements of events within a distant time and an unfamiliar and mysterious setting. Romantic writer Mary Shelley’s novel Frankenstein conforms to these conventional ‘classic’ Gothic traits as well as to the modern conceptions of what is considered as Gothic. Shelley’s Frankenstein is host to a range of significant gothic elements, evident through Victor’s creation of the gigantic creature, the dark setting of the novel, set in places of gloom and horror, and the disempowered portrayal of females, in which women are threatened by the tyranny of males and are often in distress. Omens and visions are also evident in the novel, further enhancing the Gothicism found in the novel. Frankenstein is defined as a Gothic novel through the many Gothic aspects it features. The connections, and relevance it has to today’s modern society and the lessons that can be learned from it, is what classifies it as being classic.…
The story of Edward Scissorhands was intended to be much more than your average meaningless film. It is a story that intends to display the problems of today’s society from an outsider’s point of view. Furthermore, the film portrays how society judges others based on appearance and puts the reality second. Tim Burton, the director of the film, develops upon this point, as it is a crucial theme in the film, and exposes the viewer to the true consequences of the bias judgment that occurs in our society. Edward Scissorhands also presents the conformity and social normality that society has been adopted.…