Both text war of the worlds and film a 2001 space odyssey the orientation has built up from humanity finds a mysterious obviously extra- terrestrial object also known as the “other” in this two cases in war of the worlds the Martians and A 2001 space the computer HAL is symbolised as the “other”. The composer creates the ‘’other” through the clever use of imagery enabling the concept of the “other” to be surreal for both novel and film prior to this H.G wells and Kubrick have both produced the translucence of the “other” through a binary. The composer creates the other through the uses of imagery, voice and sound. The technique imagery associates in the creation of the Martians as it’s described in the text “metallic, shiny, glittering, long tentacle like” and HAL’s described as a “singular, red, metallic, shiny, no limbs, angular, not organic, square” illustrating a vivid creation of the other. The sound and voice implicates a great impact in the
Both text war of the worlds and film a 2001 space odyssey the orientation has built up from humanity finds a mysterious obviously extra- terrestrial object also known as the “other” in this two cases in war of the worlds the Martians and A 2001 space the computer HAL is symbolised as the “other”. The composer creates the ‘’other” through the clever use of imagery enabling the concept of the “other” to be surreal for both novel and film prior to this H.G wells and Kubrick have both produced the translucence of the “other” through a binary. The composer creates the other through the uses of imagery, voice and sound. The technique imagery associates in the creation of the Martians as it’s described in the text “metallic, shiny, glittering, long tentacle like” and HAL’s described as a “singular, red, metallic, shiny, no limbs, angular, not organic, square” illustrating a vivid creation of the other. The sound and voice implicates a great impact in the