Representations of sexuality in Early Modern literature reveal a variety of attitudes, but they can be characterised by the ambivalence which they display towards the subject of desire and its consequences for the self. The destructive potential of desire is revealed in John Ford’s Tis Pity She’s A Whore, widely considered to be one of the most radical works of Jacobean theatre, not only for its frank and nuanced portrayal of incest, but for its reworking of the theme of ill-fated love from Romeo and Juliet into a dark rumination on the fundamental incommunicability of desire and the impossibility of mutual understanding.…
Female desire in Le Fanu’s short story is understood as demonstrating the confined gender roles at the time. In the short story Carmilla represented vampirism and female desire through the way she seduced her female victims, both ideas were portrayed as threatening to society. The adaptation’s version of Carmilla demonstrates how the theme of female desire represents more accepting social values and attitudes in modern society. The web series promotes and embraces independent women and female desire, whereas the short story seeks to suppress it through the death of…
The reaction to Harry Bailey’s disapproval of pilgrim Chaucer’s ‘romantic’ tale is may be an unconscious desire causing him to have a homoerotic fantasy. Even though Sir Thopas’ gender identity is unclear in the tale, it appears as though Harry Bailey is looking for something else, possibly more erotic than what pilgrim Chaucer is giving him. For example, Harry Bailey was promised a story about romance, “For oother tale certes kan I noon, / But of a rym I lerned longe agoon” (Chaucer 708-709) yet it appears that this particular style of a romance tale is not what Harry Bailey is looking for. Wood writes, “The story of ‘Thopas’ has sexual imagery enough to accord with what the Host might expect from a presumed lecher, but the tale is devoid of any sexual encounters - imagery remains imagery” (389).…
Women’s role in the literary scene of the Venetian High Renaissance greatly erupted in the fifteenth and sixteenth centuries. Women eventually became the most educated citizens in the city and were referred to as, “honest courtesans.” (Pg. 624) Our textbook outlines how women, “dominated” the literary scene with their fierce ability to be, “both sexual and intellectual.” (Pg. 624) Although there were many great poets of the Venetian High Renaissance, I will limit this essay to analyzing the amazing poems of only four very influential poets of this time. I will discuss how Veronica Franco intelligently transforms courtly love into sexual metaphor. I will identify the missing elements of chivalry and courtly love in Ludovico Aristo’s “Orlando Furioso”, and I will compare Lucretia Marinellas views in “The Nobility and Excellence of Women” to those of Laura Cereta’s.…
One of the primary reasons for the continued attraction of this play is our fascination with its main character, Katherina, daughter of the wealthy Baptista Minola, and sister of much adored Bianca. She is seen at the start of the play to have shrew-like characteristics, but as the play progresses, she is turned “from a wild Kate to a Kate conformable as other household Kates” (2.1.270-271). Not only is Katherina relatable, she also provides responders with insights into their context and themselves.…
Charles Martin’s poem, “Victoria’s Secret,” presents a witty dichotomy between bedroom values in Victorian times and in the present. Martin first paints for his readers a picture of women’s sexuality in the Victorian times: Women were to lie perfectly flat when their husbands were “getting it off on them” (line 2). They were even urged to imagine themselves doing something fun during the process, like buying a new hat. This humorous depiction of men’s callous disregard for women in Victorian sex is contrasted by Martin’s description of modern sex, of Victoria Secret models traipsing along in their lingerie, showing off their “fullbreasted,” “airbrushed” bodies, baring their sexuality for all to see. But through this juxtaposition of time eras and strong correlation between content and form, Martin unearths an insightful question: Are women sexually liberated? Martin masterfully employs the prosodic tools of meter, metrical substitutions, rhyme, and an implied metaphor to to guide his readers to reevaluate the veracity of our “sexual liberation.”…
Bibliography: Dijkstra, B. (1986) Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. New York: Oxford University Press.…
Our society’s gender roles are constantly evolving and changing, all in the name of “progressive thinking”, though not all for the good. With a new “social norm” appearing every few years or so, it comes as a surprise that it has been a relatively short time since women have broken through their defined roles to be seen on the same level as men on a social basis. Many of history’s pages are written from a patriarchal perspective, opening the way for the female protagonists and complimentary characters in Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll’s House” to make us rethink those gender roles through the events that occur during the plays and through their own complexity, providing interesting points of comparison and contrast between the plays and challenging audiences to think about gender roles in a new way.…
In the satire of the sexes, Egalia’s Daughters by Gerd Brantenberg, there is put forth a society different from which has ever been present in modern times. This would be a society where women were at the forefront and did the decision making, worked and held governmental positions. The men were portrayed in the way females live in present society, though it was often exaggerated to make that point. Men were dominated and ruled by women and had to do their bidding and cook for them and take care of the children, so on and so forth. By taking a hard look at how sexuality is imagined and experienced on all analytical levels and picking apart the social construction of gender in Egalia’s Daughters, society itself in the present can start to be unraveled as well. What is found in this book can transfer over to a point and parallel itself with present experiences of women and their struggle for equality, recognition and acknowledgement.…
In the novel “Girl with a Pearl Earring” by Tracy Chevalier, the limitation of women of 17th century Holland was portrayed by the female protagonist Griet and how she is manipulated as a maid by all adults in her life, which means they place Griet in difficult situations and take advantages of her innocence, her feelings and love with their power and influences on her life to benefit themselves. She is put in the lowliest position which enables some other adults to abuse her, that is, they misuse their position of authorities as well as social rank, leaving her vulnerable and open to accusations as well as sexual assault. However, she managed to maintain her strong characters and show the effort to make positive choices about the future by leaving the Vermeer house and marrying Pieter.…
Male superiority and the subordination of women are sustained with the conformity of both men and women. The male domination seems to be a social norm accepted and followed by al people in the society. Men are showing their stereotyped perception on women, like Leonato jokes about his daughter as ‘Her mother hath many times told me so’ and Benedick ‘as being a professed tyrant to their sex’ implies their confirmed perception of women to justify their superiority in the society. Women are viewed as a possession and property of men that Benedick brings out the idea of purchase to ‘buy her that you inquire after her’. Women are linked with the image of cuckold when Benedick regards that ‘I will have a recheat winded in my forehead’ and ‘pluck off the bull’s horn and set them on forehead’. The idea of cuckold focuses on woman’s disloyalty that brings out the mentality of men that women are wicked as ‘beauty is a witch’ and women do not deserve as much as men do. With their stereotyped image, the male superiority is confirmed by men. On the other hand, the readiness of women shows that they conform to the male domination and willing to submit to men. Hero…
Gender is a sexual orientation that defines our role in life. We may not like it, and it’s not fair, unfortunately it exists. Over the years, many women have tried to gain equality for both sides. The most notable one in my mind at the moment is Marry Wollstonecraft. She was advocating for equal education and marriage status among both genders. I don’t think these stories would appeal to her morals, but I do think they’re worth discussing. In terms of how the sexes are portrayed in conjugation with the Enlightenment.…
Fantomina is portraying herself as one who is curious of the higher class men’s behavior, conducting a social experiment, figuring out their ways while dressed and in the act of a prostitute. Also in almost a way that she has no boundaries and is pushing her limits. Comparing it to the types of woman in today’s time seems almost as if Haywood was already practicing a popular profession of a prostitute in an almost futuristic way. Men still have that attitude of hunger and lust towards woman like they do in today’s time. Shockingly, Fantomina was not all that innocent. She was representing a provocative side to her feminism when in reality she was a virgin.…
Gender roles can be defined as the ways that women and men are supposed to act in society. They are often looked upon as a “status quo” and are rarely defied. Although society has generally solved some gender issues, they still occur today. Gender Roles were very relevant during the Victorian and Modern Era’s and were often showed through literature. Women were viewed as submissive and did not have as much luxury as men in their everyday lives. Tennyson’s “The Lady of Shalott” illustrates the oppressive nature of women in society during the Victorian Era and the consequences that occur when those roles are defined. However, in Woolf’s A Room of One's Own, gender roles are questioned showing the changing ideology behind women's rights during…
Robert Browning’s “Porphyria’s Lover” written in 1836 explores and undermines the complex gender stereotypes regarding power and authority present in the nineteenth century. The typical stable male figure is absent. Instead, the male narrator is extremely capricious and erratic in nature, making for an unusual story. Porphyria, the female in the poem, also undermines regular stereotypes. On a deeper level, Porphyria seems to be the one with the power even although physically she gets strangled. The irrational power of sexuality and the sublimity of nature are extremely relevant in this Romantic poem. Reason does not seem to exist on any level in “Porphyria’s Lover”, yet power is everywhere. Robert Browning’s “Porphyria’s Lover” analyzes the…