Farmworkers Role In Latino Theatre

Latinos are currently the largest minority group in the United States, and Mexican-Americans are the largest group within the Latino population. It may be unfathomable for the younger generations to think of the Mexican population in the United States as a silent minority group; however, it was not until after World War II that we see a rise in Chicano nationality and identity movements. What was the role of the theatre in this discovery of identity, and how did the theatre give social voice to this formerly unheard group? The clearest answer to this question can be found through the Teatro Chicano movement, Luis Valdez’s character El Pachuco in Zoot Suit and the performance art pieces and writings of Luis Alfaro.
The name El Teatro Chicano is actually a blanket term used to describe an entire theatrical movement by the Mexican-American population in the United States. Established in 1965, Luis Valdez’s El Teatro Campesino (literally, Farmworkers’ Theatre) was the most famous of the Chicano Theatres; however it was hardly the only participant within the movement. In 1971 there were over 25 groups that defined themselves as Chicano Theatres (Huerta 15). The basic guidelines of El Teatro Chicano were simply to be a community-based movement committed to exposing social issues
The mission of Teatro Chicano was based on the understanding of the ancestral Mayan concept of “In Lak’ech”, which states “you are my other me, so I must