If the female gaze was directed towards the viewer, the girl/woman was seen as threatening or improper. Edgar Degas’ Little Dancer Fourteen Years Old statue has a similar feel to the Fearless Girl. Both girls seem poised. There is a sense of real movement within each sculpture. Like Edward Muybridge, Visball studied animal and human locomotion. She encorporates a sense of movement in many of her sculptures. She designed the Fearless Girl after two girls, one of which was Latina. This technique helps to make Fearless Girl a symbol of empowerment for girls across different backgrounds, and thereby reaching a broader audience. One major difference is the Degas’ Dancer has her eyes closed. The Fearless Girl’s gaze is not directed forward at the viewer but up towards the Bull. It is fascinating that Visball found a way to demonstrate the female strength in a non threatening yet powerful
If the female gaze was directed towards the viewer, the girl/woman was seen as threatening or improper. Edgar Degas’ Little Dancer Fourteen Years Old statue has a similar feel to the Fearless Girl. Both girls seem poised. There is a sense of real movement within each sculpture. Like Edward Muybridge, Visball studied animal and human locomotion. She encorporates a sense of movement in many of her sculptures. She designed the Fearless Girl after two girls, one of which was Latina. This technique helps to make Fearless Girl a symbol of empowerment for girls across different backgrounds, and thereby reaching a broader audience. One major difference is the Degas’ Dancer has her eyes closed. The Fearless Girl’s gaze is not directed forward at the viewer but up towards the Bull. It is fascinating that Visball found a way to demonstrate the female strength in a non threatening yet powerful