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In Mary Shelley's novel Frankenstein, the main character Victor Frankenstein, becomes obsessed with the notion of bringing a human being to life. The result is the creation of a monster only known to us as 'the monster'. The monster is hideous, and is therefore rejected by Victor and by society to fend for himself. He soon commits many murders, as a result of his dejection, including Frankenstein's younger brother, best friend and newly wed wife. He also set up the killing of Justine. Frankenstein created the monster and then rejected him, but it was the monster who actually did the killings, who was to blame.…
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One approach to this question would be to say that the creature in 'Frankentein' was himself the only monster. However, as we soon realise, the creature is benevolent at heart and only becomes monstrous due to the unjust way in which society treats him. The bleak, miserable world which Shelley portrays, full of hypocrisy, oppression and prejudice gains exposure through the depiction of the monsters 'fall from grace'. It is through the monsters suffering that he becomes truly monstrous. Shelley is suggesting that the creature's misdeeds are caused by the enormity of his suffering; at heart, he is essentially good. And, more importantly, essentially human. If he is monstrous, no one but Frankenstein is to blame. When the outraged creature demands of his creator, 'How dare you sport thus with life?' the question succinctly represents the sentiments of the reader, and perhaps even of the author as well. Frankenstein, in his hypocrisy, longs to murder a being who owes its life to him. If the creature is, paradoxically, both inherently good and capable of evil, then his creator is as well. The main cause of the monster's suffering rests with none other than Victor Frankenstein himself, whose actions at the monster's birth were surely monstrous also. To desert a newborn child is to defy one of the most fundamental elements of human nature. This shows Victor to be inhumane, and hence, monstrous. It is this inner monstrosity that is reflected in the creature's hideous visage. This exposes one of the novels key themes; Frankenstein is the monster's double. It becomes clear at this point that Shelley is making use both meanings of the word monster. In modern usage, the term 'monster' has come to mean 'something frighteningly unnatural of huge dimensions'. However at the time of 'Frankenstein's' writing its meaning was quite different. In earlier usage a monster is 'someone or something to be shown' Shelley uses both definitions in order to blur the fine line between what is…
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The creature in Frankenstein is banished by De Lacy, Felix Lacy, Agatha Lacy, and Safie. The creature lives in a room next to theirs and watches them. He subtly helps them and is quite kind, but when he reveals himself they chase him away and beat him. "I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other." This is a quote by the monster showing that he is rejected by almost every person he comes in contact with in the book. The monster begins to act out after constantly being rejected and starts to kill Victor’s loved ones for…
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In the book Frankenstein, the Monster adopted a crime and hate filled life mainly because of his interactions with humans. This is a reflection of Mary Shelley's views on human nature. While Mary Shelley was writing the book, she believed that humans are mutable, and that what they become is based off of events that occur in their lives, and decisions they make during their lifetime, and the Monster is a perfect example of this; he starts out innocent, but the abandonment from Victor Frankenstein, and the harsh treatment from people turned the Monster into an angry being.…
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In the case of Victor Frankenstein’s creature, there was no opportunity to be instructed by a father figure, so the monster was faced with the more difficult task of forming morals completely on his own. The creature was forced to learn to live on its own because Victor abandoned it as soon as it opened its eyes. This causes…
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In Mary Shelly’s Frankenstein, Victor Frankenstein creates a creature to which he immediately abhors and detests. Frankenstein believes he is responsible for the monster’s well being, however, he states that his duty to his fellow man was more important: “My duties towards the being of my own species had greater claims to my attention because they included a greater proportion of happiness or misery” (Shelly p.207). He ran from his home leaving the creature alone to fend for himself in the world of man. Those who see the beast immediately find hatred towards it and lash out. This continues until the being finds refuge in the forests. It is here he finds a haven from man, as well as a family living in…
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Frankenstein's Monster is a tangible representation of evil being created. Humans are solely responsible for the evidence of evil, primarily based off how they treat each other. Originally, the Monster embodies a childlike naivety which causes him to be completely unaware of his status as "an abhorred monster" (Shelley 92). Completely isolated from society, the Monster still develops a sense of self awareness which leads to the revelation of his loneliness. Desperate to cure his emotional pain, the Monster observes a family from afar and envies their happiness and connectedness. Eventually, he "hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding" (Shelley 196), and receive companionship and love from his ideal future friends. At this point, the Monster is clearly not evil, rather just an innocent being seeking the same validation that most humans strive to find.…
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Creature decides to take revenge upon his creator, Victor, for being irresponsible in being his creator and abandoning him helplessly. The creature soon kills Frankenstein’s little brother, William Frankenstein, and put William’s necklace in Justine’s pocket secretly to make her to be the victim who killed William. The trial takes place for Justine and while the witness spoke, Victor doesn’t stand up to defend her position because he knew that the creature killed William and because the creature was created by him, he will be accused of killing his brother, “I could not sustain the horror of my situation; and when I perceived that the popular voice, and the countenances of the judges, had already condemned my unhappy victim, I rushed out of the court in agony” (Frankenstein p.64). His action of not defending for Justine even he knew that Justine is innocent and running out of the court room just because he will feel terrible if he stayed in the court room portrays Frankenstein’s selfishness and cowardliness. He didn’t stand up for Justine because if he did, he will be accused of the murder and be executed and he didn’t want to stay at the court room because he feels bad that he cannot defend her. He performed this action for his own benefit, not being executed and people not finding out about the creature. Although Frankenstein…
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3a. This book cover does not correlate with my preconceived notions about Frankenstein because there is a naked man instead of the stereotypical green and blockhead monster.…
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Three events led to the creature’s turning point at which he started doing evil things. He was completely rejected by society when the DeLaceys chased him away, when [they] shot him after he saved a girl from downing, and when he discovered Victor Frankenstein’s papers describing his disgust in his creation. These overwhelmingly negative experiences led the creature to commit evil deeds. He was angered that he was forced to live an isolated life, even by his own creator. The creature was driven to murder Victor Frankenstein’s closest family and friends because of his immense…
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Victor Frankenstein abandoned the creature as soon as he created it which led to the creature being the way he is now, acting destructive but on the inside, truly nice. It could be argued that the monster’s nature was to kill, as Victor Frankenstein created him as an adult, and did not…
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By this definition, in Mary Shelley’s Frankenstein both Victor and his creation can be perceived as monsters. Both characters breach socially established boundaries with the creature blurring the lines between life and death as well as humanity and bestiality through his combined circumstances of birth and outward appearance. Frankenstein’s creation is not of human origin, but rather exists as an amalgamation of corpses created through scientific experimentation, “a product of nature – his ingredients are 100 per cent natural – and yet by the process and the very fact of his creation, he is unnatural”. Admittedly, Frankenstein’s creation fits the definition of the archetypal monster as “a large, ugly, and frightening imaginary creature” however, this is only true in regards to his aesthetical appearance for he is shown throughout the novel to exhibit the essence of humanity through his morality, intelligence and emotional capacity. In fact…
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Frankenstein, an epistolary novel by Mary Shelley, deals with epistemology, is divided into three volumes, each taking place at a distinct time. Volume I highlights the correspondence in letters between Robert Walton, an Arctic seafarer, and his sister, Margaret Saville. Walton's letters to Margaret basically explain his expedition at sea and introduce Victor Frankenstein, the protagonist of the novel. Volume II is essentially Frankenstein's narrative, told in his point of view, with much action, death, and many more characters. There are a few chapters within this volume in which the monster narrates his adventures while alone. Volume III displays Victor's death and the monsters…
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The monster, although it has acquired the name Frankenstein in popular culture, remains nameless throughout the novel, signifying its lack of acceptance in a human society. The monster’s rejection stems significantly from its appearance, ranging from its "yellow skin" (Shelley 42) and "dim-white sockets" (42) to its "straight black lips” (42) and a "shriveled complexion” (42). Shelley has clearly distinguished the monster, marking the first divide between monster and human. She has also established the initial trickling of the monster’s inability to associate with humans. In fact, the monster’s own creator, Victor Frankenstein, rejects it due to its appearance and refuses to interact with the hideous beast. The monster’s appearance prevents other characters from seriously interacting with the monster, as they form a prejudice against a non-human being. The fear of that which is non-human lingers throughout Shelley’s…
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Green, Tall, and Scary are just a few of the words associated with the monster Frankenstein, however, this association is wrong. In today’s culture the monster from the story is often called Frankenstein, which may have a lot do with the title of the book, and the fact that the monster is never named. However, Frankenstein is the man who created the monster. Frankenstein, written by Mary Shelley, explains the events in which took place regrading Victor Frankenstein’s monster. Mary Shelley’s monster is a somewhat intellectual being, with a broken heart. However, that doesn’t make him any less horrific. Because of the monster’s horrifying physic, the monster struggles with being accepted by others, including his own creator Victor Frankenstein.…
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