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In a series of letters, Robert Walton, the captain of a ship bound for the North Pole, tells his sister who is in England about his mission. Victor Frankenstein who was traveling by dog-drawn sledge across ice was very weak. Walton takes him in and nurses him. Frankenstein then tells him his story of how he created a monster. Victor had a great childhood with his parents and his cousin, Elizabeth, and friend Henry Clerval. Later, Victor enters the university of Ingolstadt to study natural philosophy and chemistry. He soon becomes obsessed with creating life. He soon accomplishes that but sees that he created a horrible looking monster and abandons the monster. He finds out that…
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In Mary Shelley’s Frankenstein, there is a warning against value being placed obsessively on the pursuit of knowledge, progress and power. It is against anything natural and disrupts the natural world. Mary Shelley uses scientific developments of the late 18th century as a catalyst to reflect the consequences of an obsession with knowledge and the power associated with it. During the late 18th century, the “first robot”, a mechanical duck, was built and bodies of late people were being experimented on. This is clearly reflected in her novel Frankenstein. Victor’s justification for making the Creature was that “Life and death appeared to me ideal bounds, which I should first break through, and a torrent of light into our dark world.” Victor’s disruptive obsession was evident when he created the Creature as “the moon gazed on my midnight labours”. This resulted with Victor seeming “to have lost all soul and sensation apart from this one pursuit”. The use of first person narrative helps the reader to personalise this eccentric obsession and understand why certain choices were made. Robert Walton is obsessed with being the first man to reach the North Pole and will risk everyone’s lives in doing so.…
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Through the characterization of Walton, the narrator, and Victor, Shelley’s Frankenstein depicts the passions fuelled by desire for renown, that drive people to discover, reflecting contextual concerns over scientific irresponsibility. In 1818, there was excitement about both geographical and scientific discovery, with Walton symbolising the former and Frankenstein the latter. Walton’s “great purpose” of discovering a northern passage to facilitate trade parallels Victor’s desire to, “banish disease…and render man invulnerable”. Ironically, despite their voiced altruism, neither are responsible. Imagery depicts Walton endangering his entire crew with his ship trapped in, “irregular plains of ice…no end”. Fortunately, Frankenstein’s story alerts Walton to his irresponsibility and he returns his men to safety. A Revenge Tragedy convention, the deaths of innocents, highlights the destructive capacity of scientific irresponsibility. Frankenstein’s failure to uphold his patriarchal responsibilities expected of a man of his era causes irreparable mistakes bringing William, Elizabeth,…
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I believe that people are born neither inherently good nor evil, but are created as blank slates to be constructed by childhood impressions and other life experiences. In my opinion, the concepts of good and bad are impossible to be natural instinct. Rather, these ideas are mainly formed by the guidance and direction from one’s parents, and also by observation of the environment, and how others handle specific interactions.…
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The narrative of Mary Shelley’s Frankenstein is set at various locations around Europe. In the first of his letters sent to his sister, the reader sees that the explorer, Robert Walton, is on a voyage to the North Pole in his ship. The narrative of Frankenstein is relayed from Victor Frankenstein, the man whom Walton discovered, abandoned in a ship. Victor begins by telling of his adolescent life and the formulation of a hideous creature that he ultimately rejects due to his wretched appearance. This leads the creature to commit a series of vengeful crimes on those whom his creator holds dear. The reader learns by the end of the narrative that subsequent to Victor’s death, the creature realizes that he has been deprived of ever finding happiness.…
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Some claim knowledge is power, but is it ethical to use that knowledge and tamper with nature? It has often been said that “progress is born from doubt and inquiry”, however, when the inquirer takes this knowledge and uses it to play God, can his actions be justified? That is the dilemma in the novel Frankenstein by Mary Shelley, where protagonist Victor Frankenstein attempts to artificially create life, only for it to end in death and tragedy. The novel blatantly displays how taking things too far and meddling with matters that are beyond human capacity is something that should never be done.…
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Everyone goes through life with the hopes of acquiring new knowledge and being smarter today than they were yesterday; it is part of human nature to want to become better as a person. This was the case in the novel of Frankenstein by Mary Shelley. The characters within this novel each have different situations to which their quest for knowledge leads them to different points in their life. With knowledge comes power and with power comes consequences, these characters each have to deal with the consequences of their actions, which in some cases are good and some are not so good. Pride becomes an ultimate factor for one of these characters and is the make or break point of their decision making.…
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The human mind is something scientists have been trying to comprehend forever. Science can not alter how the mind communicates with one’s body, or even how it works. Mary Shelley’s Frankenstein uses the creation of a fake being to emphasize the fact that the human mind cannot be altered or replicated effectively. Dr. Frankenstein thought he would be able to create and control the mind of a creature. He had tried many times, but to no avail. After talking with a professor, he finally figured out a way that he would be able to complete what he had been trying to for years. But does Frankenstein pass that natural boundary placed before us by our peers? To create life, a being with its own mind, had never been done before. What are the consequences of his actions and was it truly worth it to go beyond those limits?…
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Like Frankenstein, the Monster’s quests for knowledge only enhances his misfortunate life. This further allows readers to dissect the consequences associated with knowledge and the Monster’s responsibility in his fate and therefore parallels Victor’s and the Monster’s relationship with their misfortune. Knowledge, in the case of the Monster, ruins his naive understanding of his world. After the Monster sees the love Felix has for Safie he laments, “"Of what a strange nature is knowledge! It clings to the mind, when it has once seized on it, like a lichen on the rock.” (85). Until this scene, the Monster understands he does not live in the best scenario, although is unaware of how poor his conditions truly are. Furthermore the Monster’s comparison of himself to a rock acts as an ironically fitting portrayal- an inanimate object. The comparison between the Monster and Victor continues to remind readers that the Monster was not gifted with emotion, nor is the Monster technically human. The Monster in this scenario much rather not know what he…
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As the novel begins, the timeline of the story is reversed, instead of the traditional narrative told from beginning to end. From the start ,Victor Frankenstein has already isolated himself from the rest of society and is found in the middle of the ocean upon a glacier after the whole situation with the creature. His rescuer, Robert Walton, retells in a letter to his sister that, “the stranger [Frankenstein] has gradually improved in health but he is silent and appears uneasy when anyone except myself enters his cabin” (Shelley 13). It is due to the fact that for a long period of time he has already chosen to isolate himself from society, because of his “mistake” in making the creature. It has affected him mentally and physically, in such ways that he is “uneasy” socialising with other people- yet he feels comfortable enough to retell his tale to Walton. At this point, the story of Frankenstein begins. Frankenstein explains to Walton how he was raised in a loving family and how he became interested in education; to the point where he became obsessed with it. Frankenstein even knew it himself, he even admits he, “knew well therefore what would be [his] father’s feelings, but [he] could not tear [his] thoughts from [his] employment, loathsome in itself, but which had taken an irresistible hold of [his] imagination.” (46) This marks the first instance when Frankenstein physically isolates himself, because of his deep obsession with his creation and foreshadows later events that will lead to his downfall. In addition, Victor isolating himself from his…
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The aspect of man’s inability to control his creation is influenced by his quest for greater knowledge. In Shelley’s Frankenstein, biblical references and archaic language are used to heighten the severity of transcendental undertones; “thou hast made me more powerful than thyself…I will be mild and docile to my natural lord and king.” This alludes to Victor as the divine creator and questions his motives in his attempt to conceive life. Victor has lost power over his creation, which contradicts Christian dictum. This implies the unquestionable, all-knowing Creator should be superior to his creation. This is Victor’s failure, as he loses dominance over the Monster, suggesting the prophetic destruction of mankind. This is exemplified by the Monster’s command, “You are my creator, but I am your master- obey!”…
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Knowledge is power, but it can be for the extreme benefit or detriment to society. Having too of it is a hidden danger and a menace to the public good when unaware of its capabilities. Dr.Frankenstein knew not of his monster's hidden malignity upon creation. His knowledge of human and nature sciences worked, but to the detriment of him and his loved ones. A natural phenomenon that defied the laws of life and nature was born through the misuse of Dr.Frankenstein's knowledge in thr classic, gothic novel,"Frankenstein" by Mary Shelley.…
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Knowledge has the ability to promote the evolution of society, but if it prevails in uncovering the irreparable despair of one’s existence, or devours the entirety of ones purpose and ambition, it becomes the fruit of the poison tree. In Mary Wollstonecraft Shelley’s prolific novel Frankenstein, both Victor Frankenstein and his creature suffer severely from the knowledge plaguing them. Victor possessively seeks the knowledge necessary to bring his creature to life, blocking out all consciousness of negative implications, all the while his creature anguishes over the knowledge of his monstrosity of a reality. Knowledge in their case, is poison, disallowing them to live life freely, and revealing the potential danger when pursuit or discovery of it is all encompassing and corrupting.…
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In Mary Shelley’s Frankenstein, Doctor Frankenstein continues to use and implement his knowledge, which seems to go against nature and is called ‘dangerous’. This knowledge, when used to create his hideous monster, deeply affects his mental and physical state of mind. Shelley showcases this in chapter four of Frankenstein. In the novel, Frankenstein acquires knowledge, then causes detrimental harm to his mental and physical health.…
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The book Frankenstein, by Mary Shelley, is the story of Dr. Victor Frankenstein. Robert Walton, captain of a ship exploring the “Land of mist and snow”, rescues Dr. Frankenstein. As Frankenstein lies ill aboard the ship he tells his story to the captain, who shares the encounter in letters written to his sister. The story takes place in Europe during the 1800’s. Frankenstein is sent to the University of Ingolstadt, where he studies natural philosophy and chemistry.…
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