"Standing to the Wall": The Pressures of Masculinity in Romeo and Juliet
Author(s): Robert Appelbaum
Source: Shakespeare Quarterly, Vol. 48, No. 3 (Autumn, 1997), pp. 251-272
Published by: Folger Shakespeare Library in association with George Washington University
Stable URL: http://www.jstor.org/stable/2871016
Accessed: 18/01/2010 06:26
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=folger. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.
George Washington University and Folger Shakespeare Library are collaborating with JSTOR to digitize, preserve and extend access to Shakespeare Quarterly.
http://www.jstor.org
"Standing to the wall": The Pressures of
Masculinity in RomeoandJuliet
ROBERT APPELBAUM
W
HAT
IS MASCULINITY?
In a brief essaythat rings true for me with respect
to my own experience as a man, Homi K. Bhabha warns us not to speak of "masculinity in general, sui generis." What we are talking