The font is considered a Modern typeface, meaning the face has a “strong contrast between the thicks and thins [of its stroke], unbracketed serifs, and a strong vertical stress”. Giambattista Bodoni “faithfully reproduced letterforms with very thin hairlines, standing in sharp contrast to the thicker lines constituting the main stems of the characters”. Each letter is a valid example of this feature in the stroke, but the “o”, “b”, and “e”, are especially good; they clearly display the Bodoni
The font is considered a Modern typeface, meaning the face has a “strong contrast between the thicks and thins [of its stroke], unbracketed serifs, and a strong vertical stress”. Giambattista Bodoni “faithfully reproduced letterforms with very thin hairlines, standing in sharp contrast to the thicker lines constituting the main stems of the characters”. Each letter is a valid example of this feature in the stroke, but the “o”, “b”, and “e”, are especially good; they clearly display the Bodoni