Giotto Research Paper

Giotto was very well known throughout the world and looked up to by many other aspiring artists. Boorstin illustrates the idea that Giotto had changed the way of thinking during that society by defying the usual way of painting religious scenes. Boorstin describes his way in the sense that he was “saying something new in an old vocabulary.” He changed it from very bland artwork, into storytelling and more visual scenes. Boorstin also says how Giotto had begun to defy the arts by drawing things with the idea of space as well as dimensions in mind. He began to paint things in a more realistic way and create third dimensions on two dimensional surfaces. Boorstin also describes how there was a rediscovery of linear perspective. Antonio Manetti
He didn’t follow the rules and created a new era of artwork forever remembered. Boorstin describes how Giotto “dramatized his story in three tiers of narrative frescoes.” He wasn’t just painting his artwork all in one line but created some flow to it and made it more interesting to the viewers. Boorstin also described how Giotto had made all of the “figures have a statuesque human bulk and roundness.” This is the beginning of Giotto’s discovery of creating multi-dimensional art onto two dimensional surfaces. In Jonathan Jones’ article, A Star is Born, he describes how Giotto had drawn his artwork “directly from nature.“ Giotto was the change for artwork and artists that helped push along a new era of work. Giotto also had a breakthrough of creating artwork that was realistic as well and included images of landscapes such as “rocks, hills, and valleys with real sheep and goats.” He added a realistic idea into the art he was creating and pushed away from not proportional work. According to the Giotto Di Bondone website, Giovanni Villani had said that Giotto’s work had shown “figures and their postures according to nature.” Giotto’s art was more realistic and proportionally