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Greek plays feature a group of performers who sing, dance, provide exposition and interact with the other characters. This group is called... The Chorus…
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Have you ever wondered where the origins of theatre began? It is a well-known fact that the earliest forms of drama were developed in Ancient Greek by philosophers interested in using entertainment for social and philosophical commentary. It is essential that young people are exposed to the earliest form of scripted drama as it provides a foundation for understanding dramatic styles and conventions which are the basis for all the theatre which followed.…
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In the colonial United States up to seventeen hundred, most of the settlers inhabiting the land happened to be of English origin. Although, they came from the same whereabouts, the two poles of the colonies, north and south, developed two distinct societies. For example, in the New England area the settlers developed an egalitarian, unified, and organized atmosphere, while in the Chesapeake region residents created an aristocratic, unloyal, and scattered environment. But, if they are of the same origin, how did they develop such divergent societies? This difference was a result of opposite immigration and settlement patterns, and motives.…
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For the men, suits and top hats were worn. Makeup for both actors and actresses was done to be very dramatic and dark, emphasizing the lips and eyes. From the playwright and director position, the costume choice and makeup provided a key component to the play, drawing the attention of the audience and focusing in on the outward…
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Woman in Greek theatre is something you just don't see. In fact woman were put in the same category as slaves. In this time of the gods, woman were forbid to play their own part in the famous thing we call Greek theatre. Taking the place of these women were testosterone driven men portraying the woman part with their own preconceived idea of how woman really are. This act of men in drag to portray the "Woman", is absurd. In fact, who ever thought a male could act out the part of the female any better than a woman herself.…
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The Machina, used by many Greek theaters gave the sense that a person was flying by hoisting them up in the air with a crane-like mechanism. The ekeclema, a wagon sort of device, wheeled characters on and off stage. The Greeks also made great use of trap doors, often using them to enter characters on stage that needed to enter in the middle of a scene. Pinakes were pictures hung from the skene to display the scenery of a play. Often mounted on rotating wheels, the Greeks could change the scenery by turning a simple hand…
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When dwelling upon the main developments of the theatre, one turns to look at the origins of its birth, therefore focusing upon the Ancient Greeks. A lot of the theatre in which is established today comes from the activities of Greek Worship. The Greeks worshipped their Gods, including ‘the worship of Dionysus; the God of fertility and wine.’ (Gascoinge; History of Theatre, 2001 ongoing.) The Greeks worshipped their Gods through the use of sculpting, painting, music and literature, alongside this they incorporated dance, music and drama. As many of the Athenian’s were illiterate, Greek Theatre was used to explain to the communities the literature in which was written, allowing them through ‘reading artistic signals’ (Michael Walton, J; The Greek Sense of Theatre, Pg.4) to understand ‘the world about them, their fellow men and their Gods.’ (Michael Walton, J; The Greek Sense of Theatre, Pg.4)…
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A mask could have different meanings, it could be a form of disguise, or something worn over the face to hide ones identity, but there’s more to a mask. They vary in appearances, function, and also mostly used in ceremonies that have both strong and social significance.…
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Culturally, Greek and Roman theatre vary in a multitude of ways. Firstly, a major difference is the role of actor within their cultures. The introduction of the actor sparked the creation of tragedy, because of the ability to have back-and-forth discussions. Within Greek culture, to be an actor was a most honourable position as they were considered as icons because “the good actor, who rises to the challenge of providing a good and consistent performance, can be a model for how to live” (Easterling 382). In contrast, within Roman culture, the actors’ conditions were mean and contemptible (Theatrehistory).…
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A chorus in a Greek tragedy is fundamental however in modern plays it is no longer a crucial element. The chorus consists of a small group of people, usually between twelve and fifteen, who account the events of the play, and foreshadow its development. They are meant to act as a character but are positioned away from the main action. As a character, the chorus has many functions; it interacts with other characters, and gives its opinion on the situations without regard to the chance of their opinion being wrong or correct. In the play Antigone by Sophocles, the chorus is composed of many male elders that represent the views of the townspeople. The chorus plays a large role in Antigone by giving insight on opposing characters as well as guiding…
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Where they differ is that the frontal cheek guards a bit longer than the Spartan helmets. Also, these Greek helmets are usually made of brass or a black metal. These also had a plume often made of horse hair, and the crest holding the plume was made out of a quality leather and wood. Today's replicas will be made with a synthetic hair or more expensive ones will come with real horse hair.…
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Theatre represented a culture and values found in Greek society. Theatre was also a way for…
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Chorus: reduced in size in favor of character- the orchestra area never seemed to be used in the Roman comedies, which did not include a chorus.…
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The first known props were stylized hand held masks, called Onkoi, used by performers in "Greek Theatre" and have become symbols of theatre today, known as the "comedy and tragedy masks".…
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Ancient Greek society was patriarchal to the point that women were not even considered to be citizens. Unsurprisingly, this dynamic of male dominance extended into their theatre practice, in which men played all of the characters--even the female characters--and men composed the entire audience (Della Gatta). Remarkably then, Antigone and Lysistrata both feature strong and assertive titular heroines, despite the androcentric culture in which they were were conceived and performed. Rather than challenging the patriarchal organization of society, however, these plays reinforce the slanted male characterization of women as inferior because men performed all of the roles and because Sophocles and Aristophanes wrote their plays for an entirely…
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