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Horatio is speaking to Marcellus; Horatio is referring to the ghost of Hamlet Sr. that they have just witnessed.…
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Any critical evaluation of the play “Hamlet” must be chiefly concerned with the character of Hamlet. Unlike Shakespeare’s other tragedies, “Hamlet” is singular in purpose and scope-it is the story of one man’s personal and moral collapse under the weight of his own (and other’s) decisions, intentions and machinations. The play is not complicated with subplots and extraneous secondary characters, but is wholly focused on the man himself. This dedication to a singular dramatic intention paradoxically makes for “Hamlet” to be, subjectively, Shakespeare most confusing play. It is problematic in its protagonists’ inscrutability, his missing motives, his contradictory actions, and his utter implacability to settle into one stable character. Almost everything he does further contradicts him as an individual in the world of the play and as a dramatic character. For this reason my critical evaluation of the play is that it is artistically self defeating due to its own subversions of character and dramatic convention, and this should render it unfulfilling and disappointing as a dramatic performance. Paradoxically, the plays confusion renders it all the more infuriatingly readable-it is both alienating and enticing, a work which defeats itself in its own realisation and at the same time is only worthwhile and meaningful in this artistic enigma-the individual components should not work, yet it does strike a powerful emotional and dramatic resonance in its completion. Many aspects of “Hamlet” as a text are easily criticised-it is certainly a work with a large amount of problems. However, in a rather subversive and mysterious manner the play is a wonderful work of literature.…
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In Shakespeare’s Hamlet, Hamlet himself is a difficult character to figure out. With his elegant intensity and reckless but cautious attitude, he is able to keep his readers entertained as the play progresses. Through his irrational decisions, emotional madness and admirable qualities, Hamlet becomes a character with whom readers will continuously empathize. Our first impression of Hamlet sets the tone for the entire play. We are brought to one of the beginning scenes where Hamlet is…
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How all occasions do inform against me,/ And spur my dull revenge! What is a man/ If his chief good and market of his time/ Be but to sleep and feed? A beast, no more./ Sure, he that made us with such large discourse,/ Looking before and after, gave us not/ That capability and godlike reason/ To fust in us unused. Now, whether it be/ Bestial oblivion, or some craven scruple / Of thinking too precisely on th' event—/ A thought which, quartered, hath but one part wisdom/ And ever three parts coward—I do not know/ Why yet I live to say “This thing’s to do,”/ Sith I have cause and will and strength and means/ To do ’t. Examples gross as earth exhort me./ Witness this army of such mass and charge/ Led by a delicate and tender prince,/ Whose spirit with divine ambition puffed/ Makes mouths at the invisible event,/ Exposing what is mortal and unsure/ To all that fortune, death, and danger dare,/ Even for an eggshell. Rightly to be great/ Is not to stir without great argument,/ But greatly to find quarrel in a straw/ When honor’s at the stake. How stand I then,/ That have a father killed, a mother stained,/ Excitements of my reason and my blood,/ And let all sleep—while, to my shame, I see/ The imminent death of twenty thousand men,/ That for a fantasy and trick of fame/ Go to their graves like beds, fight for a plot/ Whereon the numbers cannot try the cause,/ Which is not tomb enough and continent/ To hide the slain? Oh, from this time forth,/ My thoughts be bloody, or be nothing worth! (IV.iv.34-68)…
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Hamlet, Prince of Denmark has remained the most perplexing, as well as the most popular, of William Shakespeare’s tragedies. Whether considered as literature, philosophy, or drama, its artistic stature is universally admitted. To explain the reasons for its excellence in a few words, however, is a daunting task. Apart from the matchless artistry of its language, the play’s appeal rests in large measure on the character of Hamlet himself. Called upon to avenge his father’s murder, he is compelled to face problems of duty, morality, and ethics that have been human concerns through the ages. The play has tantalized critics with what has become known as the Hamlet mystery, that of Hamlet’s complex behavior, most notably his indecision and his reluctance to act.…
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An analysis into the simpsons universe episode fourteenth of season thirteen reveals many parallels to Hamlet but with a twist. This episode captures the mood by placing the main cast into the Hamlet universe where each character embodies an individual from Hamlet. The roles are as follows; Homer is King Hamlet, Bart is Prince Hamlet, Marge is Gertrude, Lisa is Ophelia, and Moe is Claudius. These characters introduced a wild take on Hamlet based on their personas in Simpsons. Laertes played by Ralph, emphasizes this by making Laertes seem incompetent and a puppet of Claudius.…
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In spite of the fact that the plot evokes the implication that it occurred between the close of 16th century and the start of the 17th century, Shakespeare’s Hamlet surpasses the constraints of time and muses upon both the primitive and contemporary man. In the late 16th century in England, people of all classes on the social echelon, with the exception of royals, were able to publicly eyewitness theatre. Audiences craved new plays to assuage their appetites. One of numerous dramatists that capitalized this abundance of opportunity was Shakespeare. Opposed to the modern time, audiences spectated the play to hear it rather than see it. The articulation of the lines and significance of how the story was recited was crucial…
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In the sixth soliloquy of Hamlet, written by Shakespeare, Hamlet finally begins to realize his procrastination. In this soliloquy we discover how Hamlet is purely a follower; he needs to compare himself to another person in order to realize his own flaws. This constitutes his madness as he is seemingly an intelligent man, as suggested by some of his previous soliloquies, but yet is unable to see his own wrongdoings until after it becomes too late. In his sudden realization, he confesses his procrastination and it all becomes clear that he was aware of it the whole time. It thus can be concluded that Hamlet has been fooling us, as all of his wise choices seem to come after some unusual circumstances and not solely from his intellect.…
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Given this critical confusion, we might as well admit up front that we are not going to arrive at anything like a firm consensus on what the play is about and how we should understand it. However, wrestling with this play is a very important and stimulating exercise, because it puts a lot of pressure on us to reach some final interpretation (that is, it generates in us a desire to make sense of all the elements in it, to find some closure), and, even if that goal eludes us, we can learn a great deal about reading poetic drama and interpreting literature from a serious attempt to grasp this most elusive work. If one of the really important functions of great literature is to stimulate thought-provoking conversations which force us to come to grips with many things about the text and about ourselves, then Hamlet is a particularly valuable work.…
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Hamlet is generally regarded as Shakespeare’s magnum opus, sometimes it is even referred as the highest literary product of human genius. Critics have always been argued on the interpretation of Hamlet and even after more than 400 years, yet these argues still going strong. One of the most controversial that topic for critics since the beginning is the interpretation of the third act of Hamlet, where many critics themselves baffle because normal interpretations will make Hamlet subsequent actions irrational and impossible to explain. Many will use insanity to explain Hamlet actions. However, we will presume that Hamlet is staying sane throughout the course of the story. This paper is an attempt at interpreting the purpose and significant of…
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Shakespeare’s texts have been re-visited, re-interpreted and re-invented to suit the context and preferences of an evolving audience, and it through this constant recreation it is evident that Hamlet “does not define or exhaust its possibilities”. Through the creation of a character who emulates a variety of different themes, such as revenge, realisation of reality and the questioning of humanity, we can see the different possibilities within Hamlet as an “admirable text” with enduring human value. Furthermore, the emotional journey of Hamlet and his progression of madness provide further opportunity for differing interpretations. Hamlet connects with audiences from a variety of socio-historic contexts primarily due to its address of fundamental human issues and what it is to be human.…
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Throughout Hamlet, William Shakespeare’s eloquence and use of thematic imagery helps convey Hamlet’s state of mind as troubled and ambiguous, establishing him as a tragic hero whose feelings of death are nothing short of an enigma. From the opening scene with the ominous apparition to the brutality of the final scene, death is seemingly portrayed further than that of its simplistic physical nature. Hamlet’s thought provoking and introspective nature causes him to analyze death on different levels, ways that are much more profound. Hamlet’s acceptance of death is gradual but very much evident in the play, as his idle nature transitions to one of cowardice and eventually determination and resolve. As the reader is introduced to Hamlet,…
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William Shakespeare’s Hamlet was truly a masterpiece in its own right. It excellently portrays the struggles of a young man who is trying to find his place in a world full of treachery, madness, schemes and family disputes. Hamlet is a tragedy that shows us how afraid we all are, no matter what our circumstance. It is this fear of loss, of death – this uncertainty, which makes cowards of us all.…
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HAMLET: To be, or not to be--that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing end them. To die, to sleep-- No more--and by a sleep to say we end…
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William Shakespeare's play, Hamlet, documents one character's continual development. From a hesitant youth to a ruthless revenge-seeker, there are three major turning points that propose the start of Hamlet's wicked evolution. In dealing with his father's passing, Hamlet's grief burdens him to be overwrought with emotion and causes him to contemplate the irrational, even murder. The Players' scene, Prayer scene and Closet scene all present possible key turning points for this change. Although Hamlet's sanity remains questionable throughout the play, these three scenes suggest possible points in which Hamlet becomes particularly vicious. Beginning with the vision of his father's ghost relaying the notion of his own murder by Hamlet's uncle, Claudius, Hamlet's mind becomes increasingly flooded with impulsions.…
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