She also discussed ‘Affect’ as a process of individual responses to the outside structures (political, economic etc.) and how these responses are communicated to create possibilities. She explains the assaults of terrorist during post 9/11, most notably on turned Sikh Americans that prompts the notion of “mistaken Identities” happens because of a visual mistake and their resemblance to the way Muslims usually dressed up. She asserts that it is not just the visual that comes into play, but affective resonances of the turbaned terrorist bodies creating multiple modes of anxiety in the observer. This discussion leads to the concept of intersectionality-class, gender race intersection with queerness as an assemblage. She explains assemblage as a binary contestation between queer-non queer studies/subjects. Puar’s work argue that it is hard to capture complex structure of multiple discourses surrounding culture, religion, politics as this assemblage is contradictory in nature and in identity
She also discussed ‘Affect’ as a process of individual responses to the outside structures (political, economic etc.) and how these responses are communicated to create possibilities. She explains the assaults of terrorist during post 9/11, most notably on turned Sikh Americans that prompts the notion of “mistaken Identities” happens because of a visual mistake and their resemblance to the way Muslims usually dressed up. She asserts that it is not just the visual that comes into play, but affective resonances of the turbaned terrorist bodies creating multiple modes of anxiety in the observer. This discussion leads to the concept of intersectionality-class, gender race intersection with queerness as an assemblage. She explains assemblage as a binary contestation between queer-non queer studies/subjects. Puar’s work argue that it is hard to capture complex structure of multiple discourses surrounding culture, religion, politics as this assemblage is contradictory in nature and in identity