Two of his most well known works include the “Mona Lisa” and “The Last Supper”. In 1503, da Vinci began painting the “Mona Lisa” on cottonwood. It is uncertain whether this painting is of the wife of Florentine citizen Francesco del Giocondo as traditionally believed, while Mona Lisa’s enigmatic smile remains a subject of speculation (which derives from da Vinci's sfumato technique). Around 1495, he was commissioned by Ludovico Sforza, the Duke of Milan, to paint “The Last Supper” on a wall at the monastery of Santa Maria delle Grazie in Milan, Italy. This painting captures a dramatic scene of Jesus and the twelve disciples when Jesus says that one of them would betray him. “The Last Supper” which was painted using the Tempera technique on gesso (a hard compound of plaster of Paris) took roughly three years to complete. The Vitruvian man is another iconic piece of art, drawn by da Vinci in pen and ink on paper in 1490. This sketch brings together art and science in the depiction of a man in two superimposed positions within a square and
Two of his most well known works include the “Mona Lisa” and “The Last Supper”. In 1503, da Vinci began painting the “Mona Lisa” on cottonwood. It is uncertain whether this painting is of the wife of Florentine citizen Francesco del Giocondo as traditionally believed, while Mona Lisa’s enigmatic smile remains a subject of speculation (which derives from da Vinci's sfumato technique). Around 1495, he was commissioned by Ludovico Sforza, the Duke of Milan, to paint “The Last Supper” on a wall at the monastery of Santa Maria delle Grazie in Milan, Italy. This painting captures a dramatic scene of Jesus and the twelve disciples when Jesus says that one of them would betray him. “The Last Supper” which was painted using the Tempera technique on gesso (a hard compound of plaster of Paris) took roughly three years to complete. The Vitruvian man is another iconic piece of art, drawn by da Vinci in pen and ink on paper in 1490. This sketch brings together art and science in the depiction of a man in two superimposed positions within a square and