Pope Julius II asked Michelangelo to switch from sculpting to painting to decorate the ceiling of the Sistine Chapel, which the artist revealed on October 31, 1512. The project fueled Michelangelo’s imagination, and the original plan for 12 apostles morphed into more than 300 figures on the ceiling of the sacred space. (The work later had to be completely removed soon after due to an infectious fungus in the plaster, then recreated.) Michelangelo fired all of his assistants, whom he deemed inept, and completed the 65-foot ceiling alone, spending endless hours on his back and guarding the project jealousy until completion.The resulting masterpiece is a transcendent example of High Renaissance art incorporating the Christian symbology, prophecy and humanist principles that Michelangelo had absorbed during his youth. The vivid vignettes of Michelangelo's Sistine ceiling produce a kaleidoscope effect, with the most iconic image being the"Creation of Adam," a portrayal of God touching the finger of man. Rival Roman painter Raphael evidently altered his style after seeing the work[https://www.biography.com/]. Michelangelo unveiled the soaring "Last Judgment" on the far wall of the Sistine Chapel in 1541. There was an immediate outcry that the nude figures were inappropriate for so holy a place, and a letter called for the destruction of the Renaissance's largest fresco. …show more content…
Michelangelo Buonarroti was born on March 6, 1475, in Caprese, Italy, a village where his father, Lodovico Buonarroti, was briefly serving as a Florentine government agent. The family moved back to Florence before Michelangelo was one month old.Michelangelo's mother died when he was six[www.notablebiographies.com/Ma-Mo/Michelangelo.html ]. From his childhood Michelangelo was drawn to the arts, but his father considered this pursuit below the family's social status and tried to discourage him. However, Michelangelo prevailed and was apprenticed (worked to learn a trade) at the age of thirteen to Domenico Ghirlandaio (1449–1494), the most fashionable painter in Florence at the time. After a year Michelangelo's apprenticeship was broken off. The boy was given access to the collection of ancient Roman sculpture of the ruler of Florence, Lorenzo de' Medici (1449–1492). He dined with the family and was looked after by the retired sculptor who was in charge of the collection. This arrangement was quite unusual at the time After a year Michelangelo's apprenticeship was broken off. The boy was given access to the collection of ancient Roman sculpture of the ruler of Florence, Lorenzo de' Medici (1449–1492). He dined with the family and was looked after by the retired sculptor who was in charge of the collection. This arrangement was quite unusual at the