wisely, more fairly, more honestly.
wisely, more fairly, more honestly.
Have you ever wondered where the origins of theatre began? It is a well-known fact that the earliest forms of drama were developed in Ancient Greek by philosophers interested in using entertainment for social and philosophical commentary. It is essential that young people are exposed to the earliest form of scripted drama as it provides a foundation for understanding dramatic styles and conventions which are the basis for all the theatre which followed.…
It is a truth that in such a technologically savvy and dependant generation as today 's, venturing to the theatre is slowly becoming a rarity. This is due to the strong, extensive domination of film, television and new media, clearly eminent in the present entertainment industry. Live theatre in Brisbane is constantly competing with the comfort and affordability of staying in and enjoying a pre-recorded television show or watching a 3D movie in one 's own home. There is next to no motivation for people in today 's general public to attend a theatrical performance leading to the classification of live theatre as passé and dated. However this does not in any way signify that the quality of theatre has degraded. For those who enjoy the emotive and interactive experience of attending live theatre, Brisbane has an array of diverse shows that are perfect indicators of the level of high quality theatre that is available to the community. In fact through the thorough analysis of three different levels of productions: Wicked, Summer and Smoke and Lying Cheating Bastard this essay will attempt to prove that through the manipulation of the elements of tension and relationships within each of these plays, dramatic meaning is created and the quality of theatre is heightened.…
Playwright, Samuel Beckett, uses a play as his text type to illustrate the idea that Estragon and Vladimir are sustained but also destroyed by what sustains them. By using a play, Beckett has the ability to visually and vocally depict his message to us as an audience. By only having two acts in his play, Beckett can turn the focus toward his characters. We, as the audience can visually see Estragon and Vladimir being destroyed because they are forever waiting on stage. “Be reasonable, you haven’t yet tried” and “let’s hang ourselves immediately!” show the destroying of the two characters in their hope to have a life. However, they still wait for a chance, “I’m curious to hear what he has to offer. Then we’ll take it or leave it”, “we’re waiting for Godot,” They are waiting for the man, Godot, to give them their chance, hence the title of the play, Waiting for Godot. The playwright uses a play so that he can use both visual and vocal techniques to portray his message to us as the audience.…
Alfred Hitchcock commented, “ what is drama but life with the dull bits cut out.” This quotes is typically true of drama, however verbatim theatre is contrary to this as it forces it audiences to confront serious issues and offers conventions that shy away from “fantasy” world. Verbatim theatre is from of documentary theatre in which plays are constructed from the exact words and testimonies from interviewed people. These testimonies are based of people opinions to a traumatic event, which has affected a community in some way. Through the use of constructivism, Brechtian and Boal techniques, authenticity and the elements of drama; audiences are presented with realistic events. Verbatim plays have become increasingly more popular, as in todays society people are more interested in real issues. Through Moises Kauffman and The Tectonic Theatre company’s’ The Laramie Project, and Alana Valentine’s Run Rabbit Run, we are able to see how Verbatim theatre confront and challenges their audiences.…
Lights… Camera… Action! The stage has been set and the magical performance begins. The lights shine luminously on the actors faces, as the sun’s rays shine on morning dew. The audience is enraptured by the mesmerizing performance. At the end, the audience gives a standing ovation. The connection between actor and audience has been formed.…
By staging the past rather than revealing it through exposition (analysis usually being a process of verbalization), Shaffer takes great advantage of the visual power of the theatre. In…
"The life of a character should be an unbroken line of events and emotions, but a play only gives us a few moments on that line - we must create the rest to portray a convincing…
Theatre provides us with a mirror of the society within which we live in and where the conflicts we experience in life are acted out on stage before us. In the space of a few hours, we participate in a story where the facets of life unfold before our eyes and anything can happen, be it tragic, serious or hilarious! On the stage real people take on characters and we can identify with the emotions and actions as they happen and share the experience in real time. When this miracle occurs, when the audience and those on stage breathe a exactly the same time, there is a unique feeling of a fulfilled desire, which transforms the theatre into an immortal place: a combination of ecstasy and empathy for the human experience -- an inspiring event!…
It is maybe the only theater where poverty is not a drawback, where the lack of money is not an excuse to justify the absence of costumes, lightning or stage. In fact, it is mainly a work on actors. This way of paying more attention on the actors may suggest craft. Moreover, without all those equipments, the audience as all their left to watch is the performance itself.…
By using “Epic Theater” as his “mode,” Breach wanted to have control over all aspect of his play. “He was the stage designer, the composer, and the director. The production as a whole, not just the words, was the poem. It was in essence, and often in detail, his poem” (xv). By controlling and directing how the audience sees and interacts with the play, Brecht is able to move away from the norms of plays. Brecht is able to break boundary between the audience and the actors. In traditional drama, as well as 21st century movie theaters, plays and movies create a distance between the actors and the audience as well as a distance between the members of the audience themselves. The famous adverts in movie theaters perfectly portray this. As the lights start to dim the audience is always reminded “not to talk” and “to turn off their cell phones.” Why is this? It is because, the play or movie is to be “physically” separate from the people watching it. Although the audience is sitting side-by-side experiencing the same “entertainment” the experience is meant to be an individual one. With Brecht this is not his goal. He does not want his audience to be physically or mentally distant from his actors. Brecht would not dim the lighting above the seats, but instead keep them lit, and by doing this he allows the audience to be reminded that they are sitting together. He encouraged the audience to interject, interrupt, and interact with the actors through his short and plentiful acts while also directing the actors to speak, at times, directly to the audience, as not to hide there intension or motives.…
Dear Sir/Madam, It is with great pleasure that we introduce to you Sankalp, 2011-12, the student-run theatre initiative at MICA. Sankalp – MICA‟s annual theatre initiative - its main interface and cultural connect with its home city- Ahmedabad. Sankalp has always stood by the literal meaning of its name- a resolution. A resolution that through the medium of theatre, we will sensitise our society towards the burning social issues to which we have for long been indifferent to. A resolution, that each one of our audience leaves the theatre with a new perspective, inclined towards seeing the broader reason of their existence i.e. to make the world better place to live for everyone. A resolution, that we bring some positive difference in the lives of those in need. Sankalp, during its eleven years of existence, has maintained a firm belief in how theatre can be used to influence social change. This is evident in almost any activity it has initiated, from its annual feature plays at Natrani Theatre which are normally based on contemporary social issues to its street play event Rangmanch which brings to light key issues concerning the common man. This year, Sankalp takes the celebration of experimentation in theatre one step ahead with a full-fledged theatre festival on campus, which will run along with the three-day grand production at the Natrani Amphitheatre in Ahmedabad. We would be happy to build an association of mutual benefit with your organization, and share this connect with the city and its people, and the Indian student community at large. Warm Regards, Aditya & Mahesh Marketing, Sankalp 2011…
This study seeks to unite Asian literature with Western perspectives and styles. In this essay, I will focus on the theatrical ways that the play will work through performance and staging. However, in order to fully understand the concept behind the play, “Asphalt Man”, we must first look at the playwright’s background and education, period setting of the play, and analyzing the characters. Moreover the details of its themes, design concepts, lighting and sound, costumes, audience positioning that helps to understand how the plays expected to be performed. Although, this analysis is limited to some specific ideas and possible techniques that can be useful for the process of working on the play (“Asphalt Man”).…
In 1894, known as “The New Art” can “calls for a theatre that offers simultaneously a 'mixture of the unconscious and conscious'” (Strindberg, 1975). When the audience is appreciating a play, the first thing that catch their attention is the visual effect: the space settings for the entire stage,…
Never once, we were given the task by Mr. Gusti to make classical drama. We were confused to choose a theme. Fortunately, my friends had a pretty good idea. Unexpectedly, as we do, there is one school agents from acting or berfilm come to see our classical drama. Alhamdullilllah, we did play well and running smoothly. The cover of this drama, we sang together.…
The 21-st century brought great changes into the theatre. Television, radio, cinema, video altered the course of the major performing arts and created the new ones. But still there are hundreds of musical comedy theatres, drama theatres, opera houses, puppet thea-tres, philharmonics and conservatoires where the audience is excited at the prospect of see-ing a play and the actors are most encouraged by the warm reception.…