Cited: Shelley, Mary. Frankenstein. United States of America: Tom Doherty Associates, LLC. 1988
Cited: Shelley, Mary. Frankenstein. United States of America: Tom Doherty Associates, LLC. 1988
Murder is an act that is hated by all cultures, including the culture Mary Shelley lived in when she wrote Frankenstein. However, Shelley frames the violence the monster commits in a way that allows the reader to sympathize with the monster. This monster murders three people and causes the death of three others, but the reader retains sympathy for this monster due to Victor Frankenstein’s fault in the matter, his isolation due to society’s prejudice, and the fact that he begins his life inherently innocent, and repeatedly shows that he’s not just bad, but there’s also a good side to him.…
In the book Frankenstein, the Monster adopted a crime and hate filled life mainly because of his interactions with humans. This is a reflection of Mary Shelley's views on human nature. While Mary Shelley was writing the book, she believed that humans are mutable, and that what they become is based off of events that occur in their lives, and decisions they make during their lifetime, and the Monster is a perfect example of this; he starts out innocent, but the abandonment from Victor Frankenstein, and the harsh treatment from people turned the Monster into an angry being.…
The book “Frankenstein” by Mary Wollstonecraft Shelley discusses Victor Frankenstein's life before the creation and after. The monster wasn’t made for mass destruction but godful life. Seeking revenge for rejection from mankind, the creature creates loneliness in Victor’s life. The question “Is man born evil or is evil created in man by society” is answered in the book because the creature wasn’t born evil. Over the years he grew a dark side because of no guidance, rejection, failure, and jealousy.…
In Mary Shelley’s novel, Frankenstein, she attempts to bring to light the dangers and the amount of responsibility a then new-found age of scientific exploration and discovery could bring to the table. When Technology and Power are used for self-beneficiary reasons, the process in which man tries to move forward with their pursuit of knowledge becomes complex, ending in the corruption of the self. In his attempt to make life, Victor unleashes a ‘Monster’ unto the world, oblivious to the responsibility it comes with. Being ignorant to this, and believing it to be a mere monster, he rejects any responsibility, sealing their fate in death.…
In her novel Frankenstein, Mary Shelley portrays her idea that creatures are born with good intentions, but this innocence is soon snatched away by the gnarled hands of life. The monster, when he is first created, wanders until he finds a family which he observes intently. At first the monster would steal some of their food, but “when [he] found that in doing this [he] inflicted pain on the cottagers, [he] abstained” (Shelley 99). The monster has been alive for a very short period of time and knows little of social norms, yet he has an instinctive predisposition towards good actions. Victor was also innocent in his youth, and remembers fondly how he was raised by devoted parents. Victor recalls, “I was so guided by a silken cord that all seemed…
In Mary Shelley’s Frankenstein, misery and isolation compel the Creature to act rampantly against society’s moral standards. Despite being left in isolation, the Creature manages to hurt people while using misery as a justification for murder.…
Humans are brought into this world with a clean slate some may say. They are untainted by impressions of hate, guilt, vengeance, or any other negative or positive human developed emotion. It is through social interaction and events that humans learn social behavior and how to cope with negative situations. The majority of the time, rejection, alienation, and abandonment will form negative emotions which can then lead to anger, hate and vengeance. Throughout Mary Shelley’s novel Frankenstein (1818), the theme of alienation through rejection and abandonment is presented continuously. The idea that violence, due to rejection and abandonment, to control Frankenstein is what the Monster tries to do. Not always is violence…
In Frankenstein the conflict is perfectly encapsulated in the character of the monster; is he inherently evil and bloodthirsty, or did harsh societal treatment force him to be that way? It is an age-old question, still yet to be solved. However, through her writing and characterization it becomes clear that the monster began life as fresh and innocent as a regular newborn baby. He only became a true "monster" in the archetypal sense after enduring hatred and isolation at the hands of the humans he so longed to be. He is, in effect, nurtured into being the murderer that he becomes.…
There is a scene where the monster comes across an old blind man in the dense forest. The monster stumbles into the blind mans small rackety cabin and is welcomed with open arms. Due to the fact that the man cannot see, he is not quick to judge the monster. He cannot see the monster’s grotesque face and large build that would scare the living day lights out of any seeing man. The old man welcomes the monster like anyone would welcome a new guest. He feeds the monster and takes care of him. The old man teaches the monster to turn his mumbles and moans into words. The two help each other out and become friends, basing their friendship off of each other’s personalities. I believe this shows us that it does not matter what you look like, what counts is who you are as a person.…
In Mary Shelley’s book Frankenstein, many themes are presented throughout the story. However, through the impact of historical events during the 19th century, Victor’s relationship with the monster, and the influence of Victor’s mother, causes both Victor and his monster to grow hatred between each other. Therefore, the idea of revenge is the most prominent theme in the book.…
Humans as a species are prone to make mistakes, not all of which are forgivable. Doctor Victor Frankenstein, the mad mind behind the grotesque creature known as Adam, or “The Creature”, a being brought back from the undead, without a soul and purpose in this world. When Dr. Frankenstein dwells into for lack of a better word black science, he becomes obsessed with the thought of cheating death and taking back one's life. Through secret experimentation on deceased animals he perfects the formula, with the permission of his mentor he illegally digs up corpses to find suitable body parts for his undead creation. As Frankenstein gives life to Adam, he realizes the that he has created a monster without a soul, so he dips out like a…
The lens through which readers encounter monsters is often a skewed one. This lens could be that of the author, who seeks to embody a monster as a horrific, non-human entity that will cause havoc in an area. Similarly, this lens could be that of a character in a piece, one who witnesses the monster’s wrath and destruction firsthand and hopes to avoid the cruel savage being. Monster narratives rarely unfold from the perceptive of the monster, and, as such, audiences must rely on other sources as to the monster’s course of action. Such voices can carry a bias with them. As in the case of the author, the omniscient perspective provides descriptions of the monster without directly interacting the monster. This perspective could easily fail to report…
Frankenstein represses himself by not forming a patriarchal family, and instead he spends all his time in his lab working on his experiments. Repression is a key element for people to become human beings. Robin Wood mentions, “Basic repression is universal, necessary, and inescapable. It is what makes possible our development from an uncoordinated animal capable of little beyond screaming and convulsions into a human being; it is bound up with the ability to accept the postponement of gratification, with the development of our thought and memory processes, of our capacity for self-control, and of our recognition of and consideration for other people.” This is talking about how repression connects to the development of our thought and memory processes, self control, and the consideration for other people. With this in mind, Frankenstein's’ monster represents the lack of repression. Frankenstein’s monster does not have self control nor consideration for other people really. There are definitely a few scenes that the monster shows emotion and concerns for other people, like when he is throwing flowers in the lake and is happy until he runs out of flowers and throws the girl in the lake. He shows guilt and concern after he throws the little girl in the lake and sees that she is dead. The monster was never taught those things and his brain couldn’t just develop to learn those things. Even though that wasn’t truly his fault, it doesn't make him…
As the creature enters life, he is immediately rejected by society. After being abandoned by his creator, the monster tries to find a place to live. He discovers a small hovel and this happens to be near a nice home that is occupied by a family and many villagers. The monster is able to teach himself how to speak, read, and write by watching the daily routines of the DeLacy’s. Soon the monster is able to understand emotions like happiness, sadness, and pain. “They often, I believe, suffered the pangs of hunger very poignantly” (99). The monster becomes sympathetic towards the family and then stops stealing from them and decides that he wants to help. “I discovered also another means through which I was enabled to assist their labours […] I often took his tolls, the use of which I brought home firing sufficient for the consumption of several days” (99). At this time when the monster beings to help the family, he feels like he has an obligation and a connection to them. However, he is unable to interact with the family face to face. One day, he decides he will talk to DeLacy when the rest of the family is out because DeLacy is blind. Conversely, the family walks into the cottage and are horrified by the monster’s appearance, and they chase him out of their home. This incident causes a…
The author, Stephen King, once wrote, “Sometimes human places, create inhuman monsters.” The concept of what constitutes a “monster” has been debated by countless scholars for decades. Monsters can take on many forms—in the body or in the soul; in Mary Shelley’s, Frankenstein, she discusses the concept of a monster by portraying a tragedy about an obsessed scientist, Victor Frankenstein, and his nameless creation. A series of murders occur after his monster is created, and is a topic of discussion of who is really to blame for the catastrophes. Furthermore, some people believe the true fiend in Frankenstein is Victor’s creation; however, Victor is the real monster and his creation is corrupted because of his materialistic beliefs, his self-centeredness, his thirst for fame, and his inability to accept his dark side.…