The voice of Jesus seems to draw her closer to him and further away from Wohunge. Spiritually, the voice transcends upon her senses and casts her thoughts and spiritual being to the scriptural voice of her lover. Within the narration, the anchoress seems to respond directly to Jesus statements in the assertion that he “suffered such shame in that lovely face, and thought it all honor for the love of me” (Colloney, 103). The anchoress hears the voice of Jesus speaking to and for her, creating a moment of intimacy between her and the one that is enduring pain and torture for her. Even while shifting between observational roles and the participatory roles in the narration, the Anchoress’ identifies Jesus as her lover whose voice and actions speak for and to her, making her fall in love with Jesus, over and over again. DeMoss confirms that, the voice of God is a spiritual nourishment and creates the special bond between them: It explains how the voice of Christ gives the anchoress an intimate
The voice of Jesus seems to draw her closer to him and further away from Wohunge. Spiritually, the voice transcends upon her senses and casts her thoughts and spiritual being to the scriptural voice of her lover. Within the narration, the anchoress seems to respond directly to Jesus statements in the assertion that he “suffered such shame in that lovely face, and thought it all honor for the love of me” (Colloney, 103). The anchoress hears the voice of Jesus speaking to and for her, creating a moment of intimacy between her and the one that is enduring pain and torture for her. Even while shifting between observational roles and the participatory roles in the narration, the Anchoress’ identifies Jesus as her lover whose voice and actions speak for and to her, making her fall in love with Jesus, over and over again. DeMoss confirms that, the voice of God is a spiritual nourishment and creates the special bond between them: It explains how the voice of Christ gives the anchoress an intimate