In fact, Peter attaches most of his identity to his relationship with God. In doing so, he is able to completely deny who he is to everyone he knows, and hide parts of himself away from even his lover, Steve. Even something as simple as his outfit choice controls his closeted behavior. On page 203, Foulds says that Peter “[puts] on black jeans and a black top. Even when he wasn’t working, that’s what he would put on,” this suggests that Peter’s need to fit in and be normal and keep the façade of a straight male puts so much pressure on him that he cannot even get out of his uniform when he is home. This idea of keeping a uniform transfers over when he is in sermon. Even something as simple as his voice creates a lull for Peter to fall into in order to hide his true self:
Peter had honestly tried for a while not to have a church voice, but it proved impossible. His normal voice wouldn’t carry. To be audible and dignified he needed that slow ceremonial sound. He heard himself go into it at the beginning of the liturgy and it ran like a machine. He could let it function, could feel the motions of his mouth, whole up behind his eyes he looked around and thought.