John Donne is made up of various writing such as strong/sensual style, love poems, religious poems and latin translations, epigrams, elegies, songs, satires, and sermons. John was an author who was very passionate, yet had difficulty expressing and “to prove that glorified bodies in heaven are essentially identical to the bodies possessed on earth” as stated by Professor Ramie Targoff. Donne believes that the union of body and soul is what “makes up the man.” In Targoff’s writing, she is describing John as a very religious human being who aspires to go to heaven and be holy on earth and the afterlife. Ramie explains and describes Donne’s themes for his books, and what he wrote from a different aspect. As stated in the last paragraph of the book review, “Professor Targoff in this book succeeds in her tight and clear focus on a central topic, overt and implied, throughout Donne’s work. Her support for her arguments is generally quite convincing....” However, John’s work mostly consists of the bond between body and soul. He wrote a book taking the title of “Holy Sonnets” which did not consist of his usual writings. The book's content concludes of nineteen poems which were not published until two years after his death, in 1633. “The poems are characterized by innovative rhythm and imagery and constitute a forceful, immediate, personal, and passionate examination of Donne’s love for God, depicting his doubts,…
The connections shared between Donne’s metaphysical poetry and Edson’s play Wit, occupies more than the adaptation of ideas and form, it represents the relationship between text and context. Wit reshapes Donne’s experiences of agency and self evaluation, thereby rejuvenating the humanistic paradigms…
Through the comparative study of John Donne's poetry and Margaret Edson's play W;t we are shown the individual context of both writers and their perspectives on relationships and death. Donne represents his assurance of life after death in his Holy Sonnets. Additional to this in his earlier poetry, his valuing of deep relationship being critical to the human experience is reflected by his renaissance belief. Edson's individual post-modern context is apparent in the appropriation and rewriting of Donne's ideas to reflect her own perspective. This is further emphasized in the choices made by each composer to represent their ideas in different textual forms.…
Donne’s poetry attempt to answer the mere impossible questions of life, death and love in eccentric and unexpected chains of reasoning, his complex figure of speech, elaborate imagery and bizarre metaphors creates a sense of vibrancy for the reader as they become enthralled in the emotions and meanings behind his poems.…
read and understand the masterpieces of eccentric (in most cases) poets. But with enough time, effort, and intelligence quotient, a poem can in fact be analyzed and understood. This is what the researcher seeks to do in writing this paper using the…
Texts are a product of their contexts, but to what extent is this statement true? To investigate the truth behind this statement we explore the poets John Donne and William Wordsworth in the Metaphysical and Romantics movement. The context of these different movements heavily influenced the texts produced by the poets, through the different values these movements possess, such as the belief of logic and rationalism in the metaphysical period, and the deep respect of nature and spirituality in the romantics.…
The art of poetry can be thought of as the conveyance of an emotion, idea, or experience through the careful and creative use of words. The success or failure of the art is directly linked to the poet’s mastery of word craft, and their ability to get in touch with any number of anonymous readers. Masterful poets use a myriad of techniques to establish these connections and, therefore, create sustainable works. For instance, the skilled manipulation of word choice, rhythm, figurative language, including ambiguity, are all very important elements to creating beautiful, meaningful works that can intrigue and form a connection with the poets audience. However, the physical form of poetry is an additional method by which the poet can convey the experience or add emphasis to the point of the poem.…
Bibliography: Helen Gardner (ed.). Donne, John. The Divine Poems. Oxford: Clarendon Press. 1978 [1633]. Print.…
Donne’s poems are interesting in the way they often present an ongoing thought process, rather than a story with a distinct beginning and end. Donne being from the literary culture; many of his poems reflect this mid-way change of heart, as he is comfortable dealing in ongoing reflection and experience, rather than static facts. One of Donne’s love poems, ‘The Sunne Rising’ centres around Donne, in bed with his lover, annoyed at the sun for disturbing their slumber. “Busie old foole, unruly Sunne” he writes. Donne, in personifying the sun, and describing such a thing in paradox (“unruly sun”), supports the idea that literary culture places more emphasis on emotion and description than logical fact. The structure of ideas throughout the poem thereafter is fluid. Donne is initially annoyed at the sun for its punctuality, saying that a love like his knows no time, and the sun would be better off chastising late schoolboys. As the poem progresses, Donne goes from annoyance, to mocking the sun's supposed power (“Thy beames, so reverend… I could eclipse then with a winke”), to then feeling content, and almost bad for the sun. Donne writes “Thou sunne are halfe as happy’as wee, in that the world’s contracted thus”, in which he is stating that the poor, old sun must have an easier job shining down on him and his lover, as their entire world is confined to each other. It is this notion of fluidity of ideas that further reflects the literary culture of Donne’s poems. He uses his writings, not to record tangible fact and feeling, but to support the idea that both his thoughts, and the subjects of his writing, can easily be written flexibly, as they are both…
John Donne uses a lot of personification in his poems and in this poem he tries to personify religion like a person, fully capable of interaction; / The Catholic Church is catholic, universal, so are all her actions; all that she dose belongs to…
Edson uses many different characters, in particular the protagonist, Vivian Bearing, to conceptualise ideas of Donne poems. This is by drawing relations from Donne’s poetry and Vivian’s life events such as through job prospects as well as relational and death issues encountered. This is then use in order to trivalise the study of Donne but drawing different meanings from the initial intended notions. Donne uses poems such as Death Be Not Proud, Hymne to my God, my God in my Sicknesse (Hymn to God), The Valediction: Forbidding Mourning (The Valediction), If Poysonous Mineralls and My Playes Last Scene in order to portray his views upon the themes of death and relational values as well as the significance of religion. The manipulation of meaning in different contexts is prominently showcased in W;t in various ways.…
The Metaphysical Era began during the 17th century in England. It was a very significant period for all forms of literature. It instigated much change for the style of writing of many poets during the time, including John Donne, one of the most prominent…
Cited: Donne, John. (1901). Poems of John Donne. Vol, 2. Ed. E. K. Chambers. London: A.H.Bullen.…
The term metaphysical poets was coined by the poet and critic Samuel Johnson to describe a loose group of British lyric poets of the 17th century, whose work was characterized by the inventive use of conceits, and by speculation about topics such as love or religion. These poets were not formally affiliated; most of them did not even know or read each other (Wikipedia). Their work is a blend of emotion and intellectual ingenuity, characterized by conceit or “wit”—that is, by the sometimes violent yoking together of apparently unconnected ideas and things so that the reader is startled out of his complacency and forced to think through the argument of the poem. Metaphysical poetry is less concerned with expressing feeling than with analyzing it, with the poet exploring the recesses of his consciousness. The boldness of the literary devices used—especially obliquity, irony, and paradox—is often reinforced by a dramatic directness of language and by rhythms derived from that of living speech. Esteem for Metaphysical poetry never stood higher than in the 1930s and ’40s, largely because of T.S. Eliot’s influential essay “The Metaphysical Poets” (1921), a review of Herbert J.C. Grierson’s anthology Metaphysical Lyrics & Poems of the Seventeenth Century. In this essay Eliot argued that the works of these men embody a fusion of thought and feeling that later poets were unable to achieve because of a “dissociation of sensibility,” which resulted in works that were either intellectual or emotional but not both at once. In their own time, however, the epithet “metaphysical” was used pejoratively: in 1630 the Scottish poet William Drummond of Hawthornden objected to those of his contemporaries who attempted to “abstract poetry to metaphysical ideas and scholastic quiddities.” At the end of the century, John Dryden censured Donne for affecting “the…
Section Two: sheds light on the deep roots of the conceit in the history of…