Kathak is danced by both men and women.
A Kathak dancer is not required strictly to adhere to fixed steps and stages in a fixed order. He or she can change the sequence of stages to suit his or her aptitude and style of dancing. There is a sort of contest during the performance in which the drummer plays and weaves a complex design which in turn is danced by the dancer, specially in the item which is technically known as jagaj dikhana. It is a kind of friendly challenge and competition between the two full of innovations and improvisations.
Kathak, which originated in northern India, represents one of the eight forms of Indian classical dances. The name Kathak has been derived from the Sanskrit word 'katha', meaning story. Thus, 'katthaka' means the one who tells a story. Kathak focuses more on the footwork of the dancer. The movements are skillfully controlled and performed straight-legged, by dancers wearing the ankle bells (ghunghroo). The costumes and themes of Kathak are often similar to those in Mughal miniature paintings.
History
Initially, dancers known as 'katthakas' used to perform in village squares and temple courtyards across the country, unfolding mythological and moral tales from the ancient scriptures. They used to support their recitals with hand gestures and facial expressions. Music and dance were used by them to illuminate the story and to enliven it up. With time, this dance took the form of Kathkalakshepam and Harikatha in southern India and came to be known as Kathak in the north.
Kathak faced a drastic