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As Debussy's common compositional form,this peice is in binary form. However, the peice might also follow as introduction-Section I-Section II- Section III- Section IV- Codetta. From m.1 to m.15 is an introduction like begining. It can be divided further into three subsections: Subsection i(m.1- m.6),subsection ii (m.7-m.13) and subsection iii (m.14, m.15). To begin the peice, Debussy uses rising parallel chords on the open fifth and octave that are focused on pantatonic scale. Subsection ii in modulation which anticipates the ideas in Section III. Subsection iii restates the rising pantatonic idea . Section I strats from m. 16 through m. 27. Again, it plays with pentatonic groupings and similar progressions of rising chords. Through a transition into Section II (m.28-m.41) features a progression of parallel triadic chords. Meatures 42 - 46